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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    527 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    629 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Queen Esther hears of the Decree against"11 records

Institutions answered newest-first by record, interleaved

Bell by an unrecorded maker, The Metropolitan Museum of Art

Bell

Unrecorded maker

900–1520 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Queen Esther hears of the Decree against the Jews. by Pseudo-Aert Ortkens, The Metropolitan Museum of Art

Queen Esther hears of the Decree against the Jews.

Pseudo-Aert Ortkens (d. 1540)

16th–mid 16th century ? · Pen and brown ink, brush and brown ink on greenish paper, highlighted with white

Cleared · Public Domain

live
The MetSimilar
Cupboard (Beeldenkast) by an unrecorded maker, The Metropolitan Museum of Art

Cupboard (Beeldenkast)

Unrecorded maker

1622 · Oak

Cleared · Public Domain

live
The MetSimilar
Queen Esther Approaching the Palace of Ahasuerus by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

Queen Esther Approaching the Palace of Ahasuerus

Claude Lorrain (Claude Gellée) (d. 1682)

1658 · Pen and brown ink, brush and brown wash, heightened with white, over black chalk

Cleared · Public Domain

live
The MetSimilar
Watch by F. L. Meybom, The Metropolitan Museum of Art

Watch

F. L. Meybom (d. 1710)

ca. 1670–75 · Case: gold, blued steel, rock crystal, partly gilded silver, and diamonds; Dial: painted enamel and basse-taille enamel on gold; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Beaker by Meissen Manufactory, The Metropolitan Museum of Art

Beaker

Meissen Manufactory (d. 9999)

1724–25 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Stretcher from a console table from the Queen's bed chamber at Versailles by Jules Degoullons, The Metropolitan Museum of Art

Stretcher from a console table from the Queen's bed chamber at Versailles

Jules Degoullons (d. 1737)

ca. 1730 · Oak, gilt

Cleared · Public Domain

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The MetSimilar
Mechanical table (Table mécanique) by Jean Henri Riesener, The Metropolitan Museum of Art

Mechanical table (Table mécanique)

Jean Henri Riesener (d. 1806)

1778 · Oak veneered with marquetry of bois satiné, holly, amaranth, barberry, stained sycamore, and green-lacquered wood; gilt-bronze mounts; steel, iron and brass fittings; mirror glass; velvet (not original)

Cleared · Public Domain

live
The MetSimilar
View of Messina Harbor by Louis François Cassas, The Metropolitan Museum of Art

View of Messina Harbor

Louis François Cassas (d. 1827)

1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink

Cleared · Public Domain

live
The MetSimilar
Seaport after Claude Lorraine (recto); Indecipherable sketch (verso) by Hercules Brabazon Brabazon, The Metropolitan Museum of Art

Seaport after Claude Lorraine (recto); Indecipherable sketch (verso)

Hercules Brabazon Brabazon (d. 1906)

1840–1906 · Watercolor and gouache (bodycolor) over graphite

Cleared · Public Domain

live
The MetSimilar
Supports for a stretcher from a console table by Jules Degoullons, The Metropolitan Museum of Art

Supports for a stretcher from a console table

Jules Degoullons (d. 1737)

probably late 19th–early 20th century · Campan marble

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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