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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    215 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    286 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 35 matching records exist across the two collections.

Results for "Qur'an Manuscript Folio (Verso); Right f"12 records

Institutions answered newest-first by record, interleaved

Folio from a Qur'an Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Folio from a Qur'an Manuscript

Unrecorded maker

first half 10th century · Ink and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Folio from a Qur'an Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Folio from a Qur'an Manuscript

Unrecorded maker

dated 485 AH/1092 CE · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Folio from a Qur'an Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Folio from a Qur'an Manuscript

Unrecorded maker

dated 485 AH/1092 CE · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Bifolium from the Andalusian Pink Qur'an by an unrecorded maker, The Metropolitan Museum of Art

Bifolium from the Andalusian Pink Qur'an

Unrecorded maker

ca. 13th century · Ink, gold, silver, and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Folio from a Qur'an Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Folio from a Qur'an Manuscript

Unrecorded maker

early 14th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Opening Folio of the 26th Volume of the  "Anonymous Baghdad Qur'an" by Ahmad ibn al-Suhrawardi al-Bakri, The Metropolitan Museum of Art

Opening Folio of the 26th Volume of the "Anonymous Baghdad Qur'an"

Ahmad ibn al-Suhrawardi al-Bakri (d. 1345)

706 AH/1306–7 CE · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Qur'anic Compilation Page by Abu Muhammad 'Abd al-Qayyum ibn Muhammad ibn Karamshah al-Tabrizi, The Metropolitan Museum of Art

Qur'anic Compilation Page

Abu Muhammad 'Abd al-Qayyum ibn Muhammad ibn Karamshah al-Tabrizi

ca. 1370 · Ink, gold, and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Folio from a Qur'an Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Folio from a Qur'an Manuscript

Unrecorded maker

14th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Folio from a Qur'an Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Folio from a Qur'an Manuscript

Unrecorded maker

14th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Folio from a Qur'an Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Folio from a Qur'an Manuscript

Unrecorded maker

14th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Folio from a Qur'an Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Folio from a Qur'an Manuscript

Unrecorded maker

14th century · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing drawings, prints, manuscript pages and newspaper clippings

Marcus Clayton Stone (d. 1921)

1850–80 · Watercolor, pen and ink, wood engraving, engraving, printed text

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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