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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    554 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    612 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 23 matching records exist across the two collections.

Results for "Qur'an Manuscript with Lacquer Binding"12 records

Institutions answered newest-first by record, interleaved

Illustrated Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Illustrated Manuscript

Unrecorded maker

dated 815 AH/1412 CE · Ink, opaque watercolor, and gold on paper; leather binding

Cleared · Public Domain

live
The MetSimilar
Qur'an Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Qur'an Manuscript

Unrecorded maker

15th–16th century · Ink, opaque watercolor, and gold on paper. Binding: leather; tooled and gilded

Cleared · Public Domain

live
The MetSimilar
Pocket Qur'an by an unrecorded maker, The Metropolitan Museum of Art

Pocket Qur'an

Unrecorded maker

dated 1200 AH/1785 CE · Manuscript: Ink, opaque watercolor, and gold on paper Binding: Pasteboard, opaque watercolor and gold under transparent lacquer varnish

Cleared · Public Domain

live
The MetSimilar
Miniature Qur'an with Box by an unrecorded maker, The Metropolitan Museum of Art

Miniature Qur'an with Box

Unrecorded maker

dated 1214 AH/1799 CE · Qur'an: Ink, gold, and opaque watercolor on paper with leather binding Box: Silver alloy

Cleared · Public Domain

live
The MetSimilar
Qur'an Juz II by an unrecorded maker, The Metropolitan Museum of Art

Qur'an Juz II

Unrecorded maker

17th–18th century · Ink, gold, and opaque watercolor on paper with leather binding

Cleared · Public Domain

live
The MetSimilar
Qur’an Juz' XIX by an unrecorded maker, The Metropolitan Museum of Art

Qur’an Juz' XIX

Unrecorded maker

probably late 17th–18th century · Ink, opaque watercolor, and gold on paper with leather binding

Cleared · Public Domain

live
The MetSimilar
Qur'an Juz' XVI by an unrecorded maker, The Metropolitan Museum of Art

Qur'an Juz' XVI

Unrecorded maker

17th–18th century · Ink, opaque watercolor, and gold on paper with leather binding

Cleared · Public Domain

live
The MetSimilar
Qur'an Juz' XXVI by an unrecorded maker, The Metropolitan Museum of Art

Qur'an Juz' XXVI

Unrecorded maker

17th–18th century · Ink, gold, and opaque watercolor on polychrome on paper with leather binding

Cleared · Public Domain

live
The MetSimilar
Qur'an Juz' XXVII by an unrecorded maker, The Metropolitan Museum of Art

Qur'an Juz' XXVII

Unrecorded maker

17th–18th century · Gold, ink, and opaque watercolor on paper with a stamped leather binding

Cleared · Public Domain

live
The MetSimilar
Qur'an Manuscript with Lacquer Binding by an unrecorded maker, The Metropolitan Museum of Art

Qur'an Manuscript with Lacquer Binding

Unrecorded maker

early 19th century · Manuscript: Ink, opaque watercolor, and gold on paper Binding: pasteboard; painted and lacquered

Cleared · Public Domain

live
The MetSimilar
Miniature Qur'an with Lacquered Binding and Carrying Case by an unrecorded maker, The Metropolitan Museum of Art

Miniature Qur'an with Lacquered Binding and Carrying Case

Unrecorded maker

19th century · Ink, gold, silver, and opaque watercolor on parchment and paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Qur'an Manuscript

Unrecorded maker

19th century · Ink, opaque watercolor, and gold on paper; lacquer binding

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.