Le devote meditatione sopra la passione del nostro signore
Saint Bonaventura (d. 1274)
1487 · Printed book with woodcut illustrations
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
388 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
358 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 50 matching records exist across the two collections.
Results for "Raising of Lazarus (Reverse Copy)"12 records
Institutions answered newest-first by record, interleaved
Two satyrs placing Silenus on a braying mule and a third satyr at right
Marco Dente (d. 1527)
ca. 1515–27 · Engraving
Cleared · Public Domain
liveThe MetSimilar
The Raising of Lazarus (copy)
Lucas van Leyden (d. 1533)
n.d.
Cleared · Public Domain
liveThe MetSimilar
Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse)
Francesco da Sangallo (d. 1576)
model ca. 1552 (probably a later cast) · Bronze (Copper alloy with brown patina under a layer of dark wax.)
Cleared · Public Domain
liveThe MetSimilar
Raising of Lazarus (Reverse Copy)
Abraham Bloemaert (d. 1651)
n.d. · Engraving
Cleared · Public Domain
liveThe MetSimilar
Victor Amadeus I, Duke of Savoy (1587–1637)
Abraham Dupré (d. 1647)
17th century · Bronze
Cleared · Public Domain
liveThe MetSimilar
Chinoiserie Ornaments, plate from "The Ladies Amusement"; or, "Whole art of japanning made easy"
Jean Pillement (d. 1808)
ca. 1762 · Etching
Cleared · Public Domain
liveThe MetSimilar
Raising of Lazarus (from Sketchbook)
Thomas Sully (d. 1872)
1810–20 · Ink, wash, on paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Diana, reverse copy from a suite of ornament designs with grotesques and deities
Etienne Delaune (d. 1583)
date not published · Engraving (?)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two warriors seated on a low wall, one holding a staff on his shoulder and the other turned towards him and raising his right arm, a copy in reverse from "Figurine"
Salvator Rosa (d. 1673)
after 1656–57 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Diana, reverse copy from a suite of ornament designs with grotesques and deities
Charles Dominique Joseph Eisen (d. 1778)
18th century (?) · Woodblock (?)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Raising of Lazarus: The Smaller Plate (reverse copy)
Rembrandt (Rembrandt van Rijn) (d. 1669)
n.d. · Etching
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.