Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    296 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    402 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4 matching records exist across the two collections.

Results for "Raphael Conversing with Adam and Eve (Pa"4 records

Institutions answered newest-first by record, interleaved

The Apollo Belvedere from the Vatican his left hand resting on the tree trunk around which coils a python by Marcantonio Raimondi, The Metropolitan Museum of Art

The Apollo Belvedere from the Vatican his left hand resting on the tree trunk around which coils a python

Marcantonio Raimondi (d. 1534)

ca. 1510–27 · Engraving

Cleared · Public Domain

live
The MetSimilar
Adam and Eve Mourning the Death of Abel by Michiel Coxie (I), The Metropolitan Museum of Art

Adam and Eve Mourning the Death of Abel

Michiel Coxie (I) (d. 1592)

ca. 1576 · Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk; framing lines in pen and brown ink, by the artist; incised for transfer; verso covered with red chalk for transfer

Cleared · Public Domain

live
The MetSimilar
The Temptation of Adam and Eve by Raphael (Raffaello Sanzio or Santi), The Metropolitan Museum of Art

The Temptation of Adam and Eve

Raphael (Raffaello Sanzio or Santi) (d. 1520)

early 18th century · Lead, cast and chased, covered with black lacquer

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael Conversing with Adam and Eve (Paradise Lost of Milton, Book 5, line 519)

John Martin (d. 1854)

1826 · Mezzotint with etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.