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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    94 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    298 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Raphael and the Fornarina XIX, from 347"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael and the Fornarina I, from 347 Suite

Pablo Picasso (d. 1973)

1968 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael and the Fornarina III, from 347 Suite

Pablo Picasso (d. 1973)

1968 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael and the Fornarina VI, from 347 Suite

Pablo Picasso (d. 1973)

1968 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael and the Fornarina VII, from 347 Suite

Pablo Picasso (d. 1973)

1968 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael and the Fornarina X, from 347 Suite

Pablo Picasso (d. 1973)

1968 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael and the Fornarina XI, from 347 Suite

Pablo Picasso (d. 1973)

1968 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael and the Fornarina XII, from 347 Suite

Pablo Picasso (d. 1973)

1968 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael and the Fornarina XIX, from 347 Suite

Pablo Picasso (d. 1973)

1968 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael and the Fornarina XV, from 347 Suite

Pablo Picasso (d. 1973)

1968 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael and the Fornarina XVI, from 347 Suite

Pablo Picasso (d. 1973)

1968 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael and the Fornarina XVII, from 347 Suite

Pablo Picasso (d. 1973)

1968 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raphael and the Fornarina XVIII, from 347 Suite

Pablo Picasso (d. 1973)

1968 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.