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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    717 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    546 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,398 matching records exist across the two collections.

Results for "Rear View of Seated Man"12 records

Institutions answered newest-first by record, interleaved

Seated Faun by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Seated Faun

Andrea Briosco, called Riccio (d. 1532)

ca. 1540–50 · Bronze

Cleared · Public Domain

live
The MetSimilar
Rear View of Seated Man by Carlo Vimercati, The Cleveland Museum of Art

Rear View of Seated Man

Carlo Vimercati (d. 1715)

late 1600s? · Drawing, red chalk heightened with white chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Banquet Scene: A Seated Warrior Attended by a Number of Servants (recto); Back View of a Standing Man in a Long Cloak (verso) by Cesare Nebbia, The Metropolitan Museum of Art

Banquet Scene: A Seated Warrior Attended by a Number of Servants (recto); Back View of a Standing Man in a Long Cloak (verso)

Cesare Nebbia (d. 1614)

1536–1614 · Pen and brown ink (recto); pen and brown ink, brush and brown wash, over black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Seated Nude Young Man in Nearly Frontal View by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

Seated Nude Young Man in Nearly Frontal View

Guercino (Giovanni Francesco Barbieri) (d. 1666)

ca. 1618 · Modified black chalk (dipped in a gum solution), traces of white gouache highlights, on light brown paper

Cleared · Public Domain

live
The MetSimilar
Pack-horse, seated man with staff in right hand, and dog, all viewed from the rear, from "The Small Landscapes" by Karel Dujardin, The Metropolitan Museum of Art

Pack-horse, seated man with staff in right hand, and dog, all viewed from the rear, from "The Small Landscapes"

Karel Dujardin (d. 1678)

ca. 1641–78 · Etching

Cleared · Public Domain

live
The MetSimilar
Studies of a Young Man Holding a Stone Seen in Half-length (recto); Seated Young Man Seen in Three-quarter View from Behind, Facing Right (verso) by Giacomo Zoboli, The Metropolitan Museum of Art

Studies of a Young Man Holding a Stone Seen in Half-length (recto); Seated Young Man Seen in Three-quarter View from Behind, Facing Right (verso)

Giacomo Zoboli (d. 1767)

18th century · Black chalk, highlighted with white chalk

Cleared · Public Domain

live
The MetSimilar
Portrait of Seated Man with Pen and Paper; Standing Female Nude, Rear View (from Sketchbook) by Thomas Sully, The Metropolitan Museum of Art

Portrait of Seated Man with Pen and Paper; Standing Female Nude, Rear View (from Sketchbook)

Thomas Sully (d. 1872)

1810–20 · Ink, wash, on paper

Cleared · Public Domain

live
The MetSimilar
Ernest Chassériau (?) by Théodore Chassériau, The Metropolitan Museum of Art

Ernest Chassériau (?)

Théodore Chassériau (d. 1856)

1851 · Conté crayon, with touches of white chalk

Cleared · Public Domain

live
The MetSimilar
Pierre-Luc-Charles Cicéri by Nadar, The Metropolitan Museum of Art

Pierre-Luc-Charles Cicéri

Nadar (d. 1910)

1855–60 · Salted paper print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragmens d'aprés l'Antique, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Partie d'un Bas relief antique existent dans la cour du Palais Justinien, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Campden Hill, London

Bill Brandt (d. 1983)

April 1949 · Gelatin silver print

In copyright

live
The MetSimilar

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