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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    368 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Rearing horse"11 records

Institutions answered newest-first by record, interleaved

First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Horses by Odilon Redon, The Cleveland Museum of Art

First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Horses

Odilon Redon (d. 1916)

1888 · Print, lithograph

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Horse Standing on a Mound by Cornelis Saftleven, The Cleveland Museum of Art

Horse Standing on a Mound

Cornelis Saftleven (d. 1681)

1655 · Drawing, brush and black, brown, yellow, and gray watercolors over graphite and red chalk on antique laid paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Siana Cup (Black-Figure Kylix [Drinking Cup]): Horseman and Warriors by an unrecorded maker, The Cleveland Museum of Art

Siana Cup (Black-Figure Kylix [Drinking Cup]): Horseman and Warriors

Unrecorded maker

575–550 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Goat's Head by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Goat's Head

Unrecorded maker

c. 500–475 BCE · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Prince Mathu Singh of Jatoli on a Blue Horse Riding to Udaipur by an unrecorded maker, The Cleveland Museum of Art

Prince Mathu Singh of Jatoli on a Blue Horse Riding to Udaipur

Unrecorded maker

c. 1720 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rearing Horse and Rider by Antonio Tempesta, The Cleveland Museum of Art

Rearing Horse and Rider

Antonio Tempesta (d. 1630)

c. 1600? · Drawing, red chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Rearing Horse and Rider by Antonio Tempesta, The Cleveland Museum of Art

Rearing Horse and Rider

Antonio Tempesta (d. 1630)

c. 1600 · Drawing, red chalk counterproof

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Stater: Pegasos (obverse); Head of Athena (reverse) by an unrecorded maker, The Cleveland Museum of Art

Stater: Pegasos (obverse); Head of Athena (reverse)

Unrecorded maker

c. 350–338 BCE · Coins, silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Sacrifice of Polyxena by Gerard de Lairesse, The Cleveland Museum of Art

The Sacrifice of Polyxena

Gerard de Lairesse (d. 1711)

1667 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Hippopotamus by an unrecorded maker, The Cleveland Museum of Art

Hippopotamus

Unrecorded maker

332 BCE–395 CE · Sculpture, bronze, solid cast

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tiered Court Scene by Chitarman II, The Cleveland Museum of Art

Tiered Court Scene

Chitarman II (d. 1750)

c. 1735 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.