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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    306 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    243 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 899 matching records exist across the two collections.

Results for "Recollections of the Great Exhibition"12 records

Institutions answered newest-first by record, interleaved

General View of the Interior, from "Recollections of the Great Exhibition, 1851" by John Absolon, The Metropolitan Museum of Art

General View of the Interior, from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

September 1, 1851 · Hand-colored lithograph

Cleared · Public Domain

live
The MetSimilar
Recollections of the Great Exhibition by Day & Son, Ltd., London, The Metropolitan Museum of Art

Recollections of the Great Exhibition

Day & Son, Ltd., London (d. 1867)

September 1, 1851 · Set of hand-colored lithographs mounted on card stock, in a red cloth-covered portfolio

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Church Furniture, from "Recollections of the Great Exhibition, 1851"

Edwin Thomas Dolby (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Contents, from "Recollections of the Great Exhibition, 1851"

Day & Son, Ltd., London (d. 1867)

1851 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Her Majesty's Retiring Room, from "Recollections of the Great Exhibition, 1851"

Walter Goodall (d. 1889)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Part of the Birmingham Court, from "Recollections of the Great Exhibition, 1851"

Henry Clark Pidgeon (d. 1880)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Part of the Bradford Court, from "Recollections of the Great Exhibition, 1851"

Henry Clark Pidgeon (d. 1880)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Part of the China Court, from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Part of the Russian Court, from "Recollections of the Great Exhibition, 1851"

Henry Clark Pidgeon (d. 1880)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Part of the Turkish Court, from "Recollections of the Great Exhibition, 1851"

Walter Goodall (d. 1889)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Coalbrookdale Dome, from "Recollections of the Great Exhibition, 1851"

John Absolon (d. 1895)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ivory Throne, from "Recollections of the Great Exhibition, 1851"

Walter Goodall (d. 1889)

1851 · Hand-colored lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.