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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1000 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    305 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Reconstructed Sarcophagus of Senenmut"12 records

Institutions answered newest-first by record, interleaved

Skull and bone of Perneb by an unrecorded maker, The Metropolitan Museum of Art

Skull and bone of Perneb

Unrecorded maker

ca. 2381–2323 BCE · Human skull and human bone

Cleared · Public Domain

live
The MetSimilar
Ceiling Painting from the Tomb Chapel of Senenmut by an unrecorded maker, The Metropolitan Museum of Art

Ceiling Painting from the Tomb Chapel of Senenmut

Unrecorded maker

ca. 1473–1458 BCE · Mud plaster, paint

Cleared · Public Domain

live
The MetSimilar
Large Kneeling Statue of Hatshepsut by an unrecorded maker, The Metropolitan Museum of Art

Large Kneeling Statue of Hatshepsut

Unrecorded maker

ca. 1473–1458 BCE · Granite

Cleared · Public Domain

live
The MetSimilar
Fragment of the Sarcophagus of Senenmut (see 31.3.95) by an unrecorded maker, The Metropolitan Museum of Art

Fragment of the Sarcophagus of Senenmut (see 31.3.95)

Unrecorded maker

ca. 1473–1458 BCE · Quartzite

Cleared · Public Domain

live
The MetSimilar
Relief Fragment Depicting a Kneeling Woman by an unrecorded maker, The Metropolitan Museum of Art

Relief Fragment Depicting a Kneeling Woman

Unrecorded maker

ca. 1473–1458 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Sphinx of Hatshepsut by an unrecorded maker, The Metropolitan Museum of Art

Sphinx of Hatshepsut

Unrecorded maker

ca. 1473–1458 BCE · Limestone, plaster

Cleared · Public Domain

live
The MetSimilar
Lid and end panels of a lead sarcophagus by an unrecorded maker, The Metropolitan Museum of Art

Lid and end panels of a lead sarcophagus

Unrecorded maker

late 2nd–mid 3rd century CE · Lead

Cleared · Public Domain

live
The MetSimilar
Satyr with vase (one of a pair) by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Satyr with vase (one of a pair)

Andrea Briosco, called Riccio (d. 1532)

ca. 1540–50 · Bronze

Cleared · Public Domain

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The MetSimilar
Satyress with vase (one of a pair) by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Satyress with vase (one of a pair)

Andrea Briosco, called Riccio (d. 1532)

ca. 1540–50 · Bronze

Cleared · Public Domain

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The MetSimilar
Siren by Colonna, The Metropolitan Museum of Art

Siren

Colonna

ca. 1600 · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reconstructed Sarcophagus of Senenmut

Unrecorded maker

ca. 1473–1458 BCE · Quartzite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Perspective view of the same candelabrum from the Palazzo Salviati acquired and reconstructed by the artist for his tomb, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)

Giovanni Battista Piranesi (d. 1778)

1778–80 · Etching

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.