Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    485 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    704 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,115 matching records exist across the two collections.

Results for "Reconstruction of the Monument to Septim"12 records

Institutions answered newest-first by record, interleaved

Reconstruction of  Geometric Decoration by an unrecorded maker, The Metropolitan Museum of Art

Reconstruction of Geometric Decoration

Unrecorded maker

ca. 1386–1347 BCE · Faience, modern plaster, gold paint

Cleared · Public Domain

live
The MetSimilar
Reconstruction of a Cavetto Cornice by an unrecorded maker, The Metropolitan Museum of Art

Reconstruction of a Cavetto Cornice

Unrecorded maker

ca. 1386–1347 BCE · Faience, modern plaster and gold paint

Cleared · Public Domain

live
The MetSimilar
Study for the Equestrian Monument to Francesco Sforza by Antonio Pollaiuolo, The Metropolitan Museum of Art

Study for the Equestrian Monument to Francesco Sforza

Antonio Pollaiuolo (d. 1498)

early to mid 1480s · Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.

Cleared · Public Domain

live
The MetSimilar
Reconstruction of the Monument to Septimius Severus (above), View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

Reconstruction of the Monument to Septimius Severus (above), View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black ink, brush and brown wash, traces of red chalk

Cleared · Public Domain

live
The MetSimilar
Model for a Proposed Monument to Commemorate the Invention of the Balloon by Clodion (Claude Michel), The Metropolitan Museum of Art

Model for a Proposed Monument to Commemorate the Invention of the Balloon

Clodion (Claude Michel) (d. 1814)

ca. 1784 · Terracotta

Cleared · Public Domain

live
The MetSimilar
[American naval monument] by an unrecorded maker, The Metropolitan Museum of Art

[American naval monument]

Unrecorded maker

ca. 1816–ca. 1830 · Earthenware, transfer-printed

Cleared · Public Domain

live
The MetSimilar
Plan of a Washington Monument by John William Orr, The Metropolitan Museum of Art

Plan of a Washington Monument

John William Orr (d. 1887)

1848 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Final Study for the Monument to Balzac by Auguste Rodin, The Metropolitan Museum of Art

Final Study for the Monument to Balzac

Auguste Rodin (d. 1917)

modeled 1897, cast 1972 · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Monument to the Glory of Heroes

Lorenzo Tiepolo (d. 1776)

ca. 1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Monument of Thomas Addis Emmet

William R. Browne (d. 1839)

1832 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four Figure Studies for Monument to the Dead

Albert Bartholomé (d. 1928)

1889–93 · Charcoal "manilla" pencil

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Monument to the Constitution of the United States

Sandow Birk (d. 9999)

2007 · Ink on paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.