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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    313 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    419 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 4,000 matching records exist across the two collections.

Results for "Reconstruction of the Pantheon in Rome,"12 records

Institutions answered newest-first by record, interleaved

Elevation of the Pantheon in Rome, reconstructed to its original form by Anonymous, The Metropolitan Museum of Art

Elevation of the Pantheon in Rome, reconstructed to its original form

Anonymous

1549 · Engraving

Cleared · Public Domain

live
The MetSimilar
Pantheon Rome, from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Pantheon Rome, from a series depicting (reconstructed) buildings from Roman antiquity

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–50 · Engraving

Cleared · Public Domain

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The MetSimilar
Pantheon Rome, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity by Monogrammist G.A. with the Caltrop, The Metropolitan Museum of Art

Pantheon Rome, from a Series of Prints depicting (reconstructed) Buildings from Roman Antiquity

Monogrammist G.A. with the Caltrop (d. 1535)

Plate ca. 1530–1550 · Engraving [moved slightly during printing]

Cleared · Public Domain

live
The MetSimilar
Reconstruction of the Pantheon in Rome, seen from the side, cut away to reveal the interior by Anonymous, The Metropolitan Museum of Art

Reconstruction of the Pantheon in Rome, seen from the side, cut away to reveal the interior

Anonymous

1553 · Engraving

Cleared · Public Domain

live
The MetSimilar
The Pantheon, from "Speculum Romanae Magnificentiae" by Anonymous, The Metropolitan Museum of Art

The Pantheon, from "Speculum Romanae Magnificentiae"

Anonymous

16th century · Engraving; copy, second state of three (Robert-Dumesnil)

Cleared · Public Domain

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The MetSimilar
The Pantheon, from "Speculum Romanae Magnificentiae" by Nicolas Beatrizet, The Metropolitan Museum of Art

The Pantheon, from "Speculum Romanae Magnificentiae"

Nicolas Beatrizet (d. 1566)

1649 · Engraving; second state of two (Robert-Dumesnil)

Cleared · Public Domain

live
The MetSimilar
View of the Pantheon, Rome by Lievin Cruyl, The Metropolitan Museum of Art

View of the Pantheon, Rome

Lievin Cruyl (d. 1720)

early 1670s · Pen and brush and gray and brown ink, gray and brown washes, some watercolor and white gouache, on vellum.

Cleared · Public Domain

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The MetSimilar
A Reconstruction of the Colosseum in Cross-Section by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Colosseum in Cross-Section

Jan Goeree (d. 1731)

before 1704 · Pen and black and brown ink, brush and brown wash, over traces of red chalk; incised

Cleared · Public Domain

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The MetSimilar
Ancient Rome by Giovanni Paolo Panini, The Metropolitan Museum of Art

Ancient Rome

Giovanni Paolo Panini (d. 1765)

1757 · Oil on canvas

Cleared · Public Domain

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The MetSimilar
The Tomb of Raphael, Opened September 14, 1833, Pantheon, Rome by Horace Vernet, The Metropolitan Museum of Art

The Tomb of Raphael, Opened September 14, 1833, Pantheon, Rome

Horace Vernet (d. 1863)

1833 · Lithograph

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Huitième Cahier du Recueil d'Ornemens: Frise des Entre-Pilastres du portique du Panthéon (Frieze(s) taken from the Portico of the Pantheon in Rome)

Elisabeth Brinclaire (d. 1851)

ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate for Pantheon (Eclipse)

Chuck Webster (d. 9999)

2019 · Steel-faced copper etching plate

In copyright

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The MetSimilar

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