Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    397 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    265 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 483 matching records exist across the two collections.

Results for "Reconstruction of the Thermae of Titus ("12 records

Institutions answered newest-first by record, interleaved

A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black and brown ink, brush and gray wash, red chalk; incised?

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Thermae Agrippae (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Thermae Agrippae (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Red chalk, brush and gray wash, pen and brown ink; upper image squared in black chalk

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Thermae of Diocletian (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Thermae of Diocletian (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Red chalk, brush and gray wash, pen and brown ink, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Thermae of Nero (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Thermae of Nero (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black ink, brush and gray wash, over red chalk

Cleared · Public Domain

live
The MetSimilar
A Reconstruction of the Thermae of Novitian (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

A Reconstruction of the Thermae of Novitian (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Pen and black ink, brush and brown wash, red chalk, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Reconstruction of the Thermae of Titus (above) and a View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

Reconstruction of the Thermae of Titus (above) and a View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Red chalk, brush and gray wash, pen and black ink, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Reconstruction of the Thermae Olympiadis (above) and View of the Ruins (below) by Jan Goeree, The Metropolitan Museum of Art

Reconstruction of the Thermae Olympiadis (above) and View of the Ruins (below)

Jan Goeree (d. 1731)

before 1704 · Red chalk, pen and black ink, brush and gray wash, over black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

1) Titi Livii Patavia Romanae Historiae Principis, libri omnes

Titus Livius (d. 17)

1568 · Printed book

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ruins of the Thermae of Caracalla

Jan van de Velde II (d. 1641)

1616 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan des Thermes de Tite, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Leonardo di Giovanni Pietro Bufalini (d. 1552)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

This Quarter, vol. V, no. 1

Edward W. Titus

September 1932 · Illustrations: reproductions of line drawings

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Contour of Loss

Titus Kaphar (d. 9999)

2020 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.