
Model Cattle stable from the tomb of Meketre
Unrecorded maker
ca. 1981–1975 B.C. · Plastered and painted wood, gesso
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
221 ms. The Metropolitan Museum of Art, Collection API (Open Access)
389 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 30 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Model Cattle stable from the tomb of Meketre
Unrecorded maker
ca. 1981–1975 B.C. · Plastered and painted wood, gesso
Cleared · Public Domain
live
Heqanakht Letter V
Unrecorded maker
ca. 1961–1917 B.C. · Papyrus, ink
Cleared · Public Domain
live
Village Street, cattle, sheep and herdsman in the foreground from Praediorum villarum et rusticarum casularum icones elenoantissimae ad vivum in apre deformatae
Johannes van Doetecum I (d. 1605)
ca. 1559–61 · Etching; first state of three
Cleared · Public Domain
live
Plate 10, Outlines of Figures, Landscapes and Cattle...for the Use of Learners
Thomas Rowlandson (d. 1827)
August 6, 1790 · Hand-colored etching
Cleared · Public Domain
live
Cattle and sheep at resting at the edge of a forest
George Barret, the younger (d. 1842)
ca. 1840 · Watercolor and gouache (bodycolor) over graphite, with reductive techniques and gum arabic
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Months: September
Etienne Delaune (d. 1583)
1566 · Engraving: first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with a Stone Bridge
Wenceslaus Hollar (d. 1677)
1649 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Etchings for the Art-Union of London
The Etching Club (d. 1885)
1857 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Summer's Afternoon
Frances Flora Bond Palmer (d. 1876)
1857–72 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sheep and Cattle War, from the "Frontier Days" series (R701-5), issued by Bowman Gum Company
Bowman Gum Company (d. 1999)
1953 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Recovering the Grain, Cattle and Sheep, from a group of Ten Revolutionary woodblock prints with Folio Cover titled Lu Yi Mu Ke Xuan Ji
Wo Zha
20th century · Woodcut prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ditchling Beacon, Dew Pond
Jem Southam (d. 9999)
1999, printed 2003 · Chromogenic print
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.