Esemplario di lavori, page 5 (recto)
Nicolò Zoppino (d. 1544)
August 1529 · Woodcut (pages inlaid, modern vellum binding)
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
225 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
268 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 16,204 matching records exist across the two collections.
Results for "Rectangular, Geometric Interlaced Patter"12 records
Institutions answered newest-first by record, interleaved
Essempio di recammi, page 16 (verso)
Giovanni Antonio Tagliente (d. 1528)
1530 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
Convivio delle Belle Donne, page 16 (recto)
Nicolò Zoppino (d. 1544)
August 1532 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
Spechio di pensieri delle belle et Virtudiose donne, page 6 (verso)
Matteo Pagano (d. 1588)
1546 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
Trionfo Di Virtu. Libro Novo..., page 2 (verso)
Matteo Pagano (d. 1588)
1563 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
Trionfo Di Virtu. Libro Novo..., page 4 (recto)
Matteo Pagano (d. 1588)
1563 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
Trionfo Di Virtu. Libro Novo..., page 8 (verso)
Matteo Pagano (d. 1588)
1563 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 20 (recto)
Isabella Catanea Parasole (d. 1625)
1610 · Woodcut
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Geometric Interlaced Pattern with Two Rectangular Compartments and a Central Knot
Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)
1450–1550 · Pen and brown ink over stylus ruling
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Geometric Interlaced Pattern with Two Rectangular Compartments and a Central Knot
Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)
1450–1550 · Pen and brown ink over stylus ruling
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rectangular Pattern with an Interlaced Geometric Central Figure
Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)
1450–1550 · Pen and brown ink over stylus ruling
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rectangular, Geometric Interlaced Pattern with a Dark Border
Anonymous, Italian or Spanish, late 15th to early 16th century (d. 1550)
1450–1550 · Pen and brown ink over stylus ruling
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.