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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    330 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Rectangular Textile Fragment"10 records

Institutions answered newest-first by record, interleaved

Two Textile Fragment with Fanged Heads by an unrecorded maker, The Cleveland Museum of Art

Two Textile Fragment with Fanged Heads

Unrecorded maker

500–200 BCE · Textile, cotton: plain weave patterned by fiber-wrapped warps and supplementary wefts

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Embroidered Textile by an unrecorded maker, The Cleveland Museum of Art

Embroidered Textile

Unrecorded maker

1800s · Embroidery, Plain weave piña cloth: needle lace and embroidery

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tigers Chasing Deer, with Dragon by an unrecorded maker, The Cleveland Museum of Art

Tigers Chasing Deer, with Dragon

Unrecorded maker

1000s–1200 · Textile, Silk and gold thread; tapestry

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Dragons Chasing Flaming Pearls by an unrecorded maker, The Cleveland Museum of Art

Dragons Chasing Flaming Pearls

Unrecorded maker

1200s or earlier · Textile, silk and gold thread: tapestry

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment with lions and griffins in combat by an unrecorded maker, The Cleveland Museum of Art

Fragment with lions and griffins in combat

Unrecorded maker

1459–1669 (radiocarbon date, 95% probability) · Textile, Silk: lampas weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lace Border by an unrecorded maker, The Cleveland Museum of Art

Lace Border

Unrecorded maker

1800s · Embroidery, Plain weave piña cloth: needle lace and embroidery

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Mantle Border Fragment with Oculate Being by an unrecorded maker, The Cleveland Museum of Art

Mantle Border Fragment with Oculate Being

Unrecorded maker

200 BCE–200 CE · Embroidery, camelid fiber, embroidery over foundation cloth

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Tapestry-woven Yoke from a Tunic by an unrecorded maker, The Cleveland Museum of Art

Tapestry-woven Yoke from a Tunic

Unrecorded maker

800–1200? · Textile, camelid fiber and cotton, tapestry weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Carpet Fragment by an unrecorded maker, The Cleveland Museum of Art

Carpet Fragment

Unrecorded maker

late 1800s–early 1900s · Carpet, Silk: knotted pile

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragments of Egyptian Mummy Wrappings fround in Senbi Coffin by an unrecorded maker, The Cleveland Museum of Art

Fragments of Egyptian Mummy Wrappings fround in Senbi Coffin

Unrecorded maker

c. 1918–1859 BCE · Textile, linen; plain weave

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.