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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    243 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    348 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 32 matching records exist across the two collections.

Results for "Recto: The Houses of the Barbarians (Vit"12 records

Institutions answered newest-first by record, interleaved

Recto: The Houses of the Barbarians (Vitruvius, Book 2, Chapter 1, nos. 3, 4); Verso: The Aeropagus in Athens with Cave Houses (Vitruvius, Book 2, Chapter 1, no. 5). by Sangallo family, The Metropolitan Museum of Art

Recto: The Houses of the Barbarians (Vitruvius, Book 2, Chapter 1, nos. 3, 4); Verso: The Aeropagus in Athens with Cave Houses (Vitruvius, Book 2, Chapter 1, no. 5).

Sangallo family (d. 1545)

1530–45 · Pen and dark brown ink

Cleared · Public Domain

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The MetSimilar
Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso) by Giovanni Battista Naldini, The Metropolitan Museum of Art

Elevation of Giulio Romano's House (recto); the Ruins from the Caelius Aqueduct and Temple of Claudius in Rome (verso)

Giovanni Battista Naldini (d. 1591)

ca. 1557 · Pen and brown ink, over leadpoint

Cleared · Public Domain

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The MetSimilar
La Vera Perfettione del Disegno di varie sorti di recami, page 26 (recto) by Giovanni Ostaus, The Metropolitan Museum of Art

La Vera Perfettione del Disegno di varie sorti di recami, page 26 (recto)

Giovanni Ostaus (d. 1607)

1567 · Woodcut

Cleared · Public Domain

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The MetSimilar
Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 10 (recto) by Federico de Vinciolo, The Metropolitan Museum of Art

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 10 (recto)

Federico de Vinciolo (d. 1599)

1603 · Woodcut

Cleared · Public Domain

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The MetSimilar
Diverses Pieces de Serruriers, title page (recto) by Jean Berain, The Metropolitan Museum of Art

Diverses Pieces de Serruriers, title page (recto)

Jean Berain (d. 1711)

ca. 1663 · Engraving

Cleared · Public Domain

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The MetSimilar
Design for the Exterior Façade of the Country House of Monsieur Blaney, Belleville (recto); Design for façade (verso) by Anonymous, French, 18th century, The Metropolitan Museum of Art

Design for the Exterior Façade of the Country House of Monsieur Blaney, Belleville (recto); Design for façade (verso)

Anonymous, French, 18th century (d. 1800)

18th century · Pen and brown ink, watercolor; Scale in pieds at bottom

Cleared · Public Domain

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The MetSimilar
Studies of the Pavilion at Fonthill, Wiltshire and Plans of the Ground and First Floors (recto); Studies for the Pavilion in Tudor-Gothic Style (verso) by Anonymous, British, 19th century, The Metropolitan Museum of Art

Studies of the Pavilion at Fonthill, Wiltshire and Plans of the Ground and First Floors (recto); Studies for the Pavilion in Tudor-Gothic Style (verso)

Anonymous, British, 19th century (d. 1900)

after 1824 · Pen and ink, brush and wash, over graphite

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior of the House of the Civil Intendant of Bône (recto); Dog's Head (verso)

Olivier Bro de Comères (d. 1870)

1833–40 · Graphite

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Houses in Chatham Street opposite the Park and Centre Street, New York (recto); Faint image of a house (verso)

Anonymous, American, 19th century (d. 1900)

1857 · Sepia ink and wash over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Cold Resting-Place (recto); Marlborough House–Expecting the Prince (recto); Lord's (recto); A House of Refuge–In the Bath (verso); Holland House–A Garden Party (verso), from "London: A Pilgrimage by Gustave Doré and Blanchard Jerrold", from "Harper's Weekly"

Stéphane Pannemaker (d. 1930)

April 26, 1873 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Snow, Winter in Vitebsk

Marc Chagall (d. 1985)

1911 · Gouache on board (recto and verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Power of Memory

Steve Wheeler (d. 1992)

ca. 1943 · Watercolor, gouache, and pen and black ink on paper (recto); pen and black ink with graphite on paper (verso)

In copyright

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The MetSimilar

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