Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
581 ms. The Metropolitan Museum of Art, Collection API (Open Access)
359 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 92 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Le Chasse au Cerf (The Stag Hunt), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Jacques Callot (d. 1635)
ca. 1618 · Etching; second state of three (Lieure)
Cleared · Public Domain
live
Le Chasse aux Oiseaux (The Bird Hunt), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Jacques Callot (d. 1635)
ca. 1618 · Etching; second state of two (Lieure)
Cleared · Public Domain
live
Le Combat Naval (The Naval Battle), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Jacques Callot (d. 1635)
ca. 1618 · Etching; second state of two (Lieure)
Cleared · Public Domain
live
Le Combat Naval (The Naval Battle), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Jacques Callot (d. 1635)
ca. 1618 · Etching; second state of two (Lieure)
Cleared · Public Domain
live
Le Grand Rocher (The Large Rock), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Jacques Callot (d. 1635)
ca. 1618 · Etching; second state of two (Lieure)
Cleared · Public Domain
live
Le Grand Rocher (The Large Rock), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Jacques Callot (d. 1635)
ca. 1618 · Etching; second state of two (Lieure)
Cleared · Public Domain
live
Le Moulin a Eau (The Water Mill), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Jacques Callot (d. 1635)
ca. 1618 · Etching; second state of three (Lieure)
Cleared · Public Domain
live
Le Retour de la Chasse (The Return of the Hunt), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Jacques Callot (d. 1635)
ca. 1618 · Etching; second state of three (Lieure)
Cleared · Public Domain
live
Les Baigneurs (The Bathers), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Jacques Callot (d. 1635)
ca. 1618 · Etching; second state of three (Lieure)
Cleared · Public Domain
live
Hercules and Cacus, after Annibale Carracci, and the Destruction of Enceladus, after Agostino Carracci
Jean Honoré Fragonard (d. 1806)
1761 · Black chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
Recueil de Griffonis, de Vues, Paysages, fragments antiques et sujets historiques...s..i..n..d..
Jean Claude Richard, Abbé de Saint-Non (d. 1791)
1780
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Recueil de Paysages par Sandby
Paul Sandby (d. 1809)
1750–65 (or later) · Etching and aquatint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.