
Foreign groom in a tributary procession
Unrecorded maker
ca. 721–705 BCE · Gypsum alabaster
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
237 ms. The Metropolitan Museum of Art, Collection API (Open Access)
283 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 42 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Foreign groom in a tributary procession
Unrecorded maker
ca. 721–705 BCE · Gypsum alabaster
Cleared · Public Domain
live
"Faramarz Slays Varazad", Folio from a Shahnama (Book of Kings) of Abu'l Qasim Firdausi
Abu'l Qasim Firdausi (d. 1020)
ca. 1330–40 · Ink, opaque watercolor, gold, and silver on paper
Cleared · Public Domain
live
Christ's Descent into Hell
Hieronymus Bosch (d. 1516)
1560 · Oil on wood
Cleared · Public Domain
live
Vase
Unrecorded maker
1722 · Porcelain painted in famille verte enamels
Cleared · Public Domain
live
Drury Lane Theatre
Thomas Rowlandson (d. 1827)
1808 · Hand-colored etching and aquatint
Cleared · Public Domain
live
The Norwich Bull Feast or Glory and Gluttony
Thomas Rowlandson (d. 1827)
November 22, 1813 · Hand-colored etching
Cleared · Public Domain
live
Plate 27, from "World in Miniature"
Thomas Rowlandson (d. 1827)
1816 · Hand-colored etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Darktown Hook and Ladder Corps: In Action
King & Murphy (d. 1890)
1884 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Darktown Wedding -- The Parting Salute
Currier & Ives (d. 1907)
1892 · LIthograph with printed color and hand-coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Darktown Wedding -- The Send Off
Currier & Ives (d. 1907)
1892 · LIthograph with printed color and hand-coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Red Grooms' "The Burning Building"
John Cohen (d. 2019)
1960 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chance Encounter at 3 A.M.
Red Grooms (d. 9999)
1984 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.