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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    376 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    331 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22,804 matching records exist across the two collections.

Results for "Reflections on the Painting and Sculptur"12 records

Institutions answered newest-first by record, interleaved

The Muse of Painting by John La Farge, The Metropolitan Museum of Art

The Muse of Painting

John La Farge (d. 1910)

1870 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Painting on Parnassus

Pietro Testa (d. 1650)

ca. 1642 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reflections on the Painting and Sculpture of the Greeks: with Instructions for the Connoisseur and an Essay on Grace in Works of Art

Johann Joachim Winckelmann (d. 1768)

1765

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reflections on a Shop Window

Aaron Bohrod (d. 1992)

1942 · Oil on gesso panel

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Head Tide Ripple: Reflections on the Sheepscott

Ernest Haskell (d. 1925)

n.d. · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Painting

Philip Guston (d. 1980)

1952 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Black Reflections

Franz Kline (d. 1962)

1959 · Oil and pasted paper on paper, mounted on hardboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Imbued Reflections (Reflets embués)

Jean Dubuffet (d. 1985)

1959 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reflections on Edges of River, Mile 122, Grand Canyon, Arizona

Eliot Porter (d. 1990)

June 22, 1967 · Dye transfer print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reflections

Jerome Carlin (d. 2014)

1974–82 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Painting on the Kitchen Table

Mary Mabbutt (d. 9999)

1984 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Perpetual Painting

Moira Dryer (d. 1992)

1988 · Casein, lacquer, ferrous metal, rubber and plywood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.