
Seated dog
Colima artist(s)
200 BCE–300 CE · Ceramic, slip
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
629 ms. The Metropolitan Museum of Art, Collection API (Open Access)
386 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Seated dog
Colima artist(s)
200 BCE–300 CE · Ceramic, slip
Cleared · Public Domain
live
Snarling dog
Colima artist(s)
200 BCE–300 CE · Ceramic
Cleared · Public Domain
live
Nose Ornament
Unrecorded maker
1–1000 CE · Gold
Cleared · Public Domain
live
Altar to the Sun Warrior
Mexico Nahua artist(s)
1450-1521 CE · Stone
Cleared · Public Domain
live
Relief Block with Coat of Arms of Cholula
Unrecorded maker
early 16th century · Stone, traces of stucco
Cleared · Public Domain
live
View of Messina Harbor
Louis François Cassas (d. 1827)
1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink
Cleared · Public Domain
live
Broadsheet relating to mothers-in-law, brothers-in-law and sons fighting
José Guadalupe Posada (d. 1913)
ca. 1890–1896 · Type-metal engraving and letterpress on pink paper
Cleared · Public Domain
live
Broadsheet relating to the American Mosquito
José Guadalupe Posada (d. 1913)
1903 · Type-metal engraving and letterpress on tan paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Relacion De Las Exequias que a la Magestad Del Rey Cat. D. Fernando VI...En La Real Yglesia De Santiago de Los Espanoles de Rome
Giuseppe Vasi (d. 1782)
1760 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dancers
Carlos Orozco Romero (d. 1984)
1931 · Lithograph with color wash and body color applied by hand
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The press in the service of imperialism
Alfredo Zalce (d. 2003)
1939 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Work and Rest
Jean Charlot (d. 1979)
1956 · Colour lithograph on zinc, offset
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.