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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    629 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    386 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Relacion De Las Exequias que a la Magest"12 records

Institutions answered newest-first by record, interleaved

Seated dog by Colima artist(s), The Metropolitan Museum of Art

Seated dog

Colima artist(s)

200 BCE–300 CE · Ceramic, slip

Cleared · Public Domain

live
The MetSimilar
Snarling dog by Colima artist(s), The Metropolitan Museum of Art

Snarling dog

Colima artist(s)

200 BCE–300 CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Nose Ornament by an unrecorded maker, The Metropolitan Museum of Art

Nose Ornament

Unrecorded maker

1–1000 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Altar to the Sun Warrior by Mexico Nahua artist(s), The Metropolitan Museum of Art

Altar to the Sun Warrior

Mexico Nahua artist(s)

1450-1521 CE · Stone

Cleared · Public Domain

live
The MetSimilar
Relief Block with Coat of Arms of Cholula by an unrecorded maker, The Metropolitan Museum of Art

Relief Block with Coat of Arms of Cholula

Unrecorded maker

early 16th century · Stone, traces of stucco

Cleared · Public Domain

live
The MetSimilar
View of Messina Harbor by Louis François Cassas, The Metropolitan Museum of Art

View of Messina Harbor

Louis François Cassas (d. 1827)

1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink

Cleared · Public Domain

live
The MetSimilar
Broadsheet relating to mothers-in-law, brothers-in-law and sons fighting by José Guadalupe Posada, The Metropolitan Museum of Art

Broadsheet relating to mothers-in-law, brothers-in-law and sons fighting

José Guadalupe Posada (d. 1913)

ca. 1890–1896 · Type-metal engraving and letterpress on pink paper

Cleared · Public Domain

live
The MetSimilar
Broadsheet relating to the American Mosquito by José Guadalupe Posada, The Metropolitan Museum of Art

Broadsheet relating to the American Mosquito

José Guadalupe Posada (d. 1913)

1903 · Type-metal engraving and letterpress on tan paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relacion De Las Exequias que a la Magestad Del Rey Cat. D. Fernando VI...En La Real Yglesia De Santiago de Los Espanoles de Rome

Giuseppe Vasi (d. 1782)

1760 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dancers

Carlos Orozco Romero (d. 1984)

1931 · Lithograph with color wash and body color applied by hand

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The press in the service of imperialism

Alfredo Zalce (d. 2003)

1939 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Work and Rest

Jean Charlot (d. 1979)

1956 · Colour lithograph on zinc, offset

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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