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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    305 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    347 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Relief Depicting Meryneith Inspecting Hi"10 records

Institutions answered newest-first by record, interleaved

Relief Depicting Meryneith Inspecting His Stables and Ships Unloading Merchandise, from his tomb at Saqqara by an unrecorded maker, The Metropolitan Museum of Art

Relief Depicting Meryneith Inspecting His Stables and Ships Unloading Merchandise, from his tomb at Saqqara

Unrecorded maker

ca. 1347–1318 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Plaque by an unrecorded maker, The Metropolitan Museum of Art

Plaque

Unrecorded maker

ca. 9th–8th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Boy on a shell, holding a candlestick by an unrecorded maker, The Metropolitan Museum of Art

Boy on a shell, holding a candlestick

Unrecorded maker

mid-15th century · Bronze, partially oil-gilt

Cleared · Public Domain

live
The MetSimilar
Elijah in the Fiery Chariot by Master of the Barbarigo Reliefs, The Metropolitan Museum of Art

Elijah in the Fiery Chariot

Master of the Barbarigo Reliefs (d. 1575)

ca. 1520 · Bronze, partially oil-gilt

Cleared · Public Domain

live
The MetSimilar
Astronomical table clock by Jeremias Metzger, The Metropolitan Museum of Art

Astronomical table clock

Jeremias Metzger (d. 1602)

1568 · Case and dials: gilded brass; Movement: iron

Cleared · Public Domain

live
The MetSimilar
The Farnese Table by Jacopo [Giacomo] Barozzi da Vignola, The Metropolitan Museum of Art

The Farnese Table

Jacopo [Giacomo] Barozzi da Vignola (d. 1573)

ca. 1565–73 · Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers

Cleared · Public Domain

live
The MetSimilar
Mercury and Cupid by Francesco Fanelli, The Metropolitan Museum of Art

Mercury and Cupid

Francesco Fanelli (d. 1665)

late 1630s · Bronze

Cleared · Public Domain

live
The MetSimilar
Cabinet by Melchior Baumgartner, The Metropolitan Museum of Art

Cabinet

Melchior Baumgartner

ca. 1655–59, engraved decorations ca. 1825–50 · Oak, pine, walnut, cedar, ebony, and rosewood; ivory veneer and silver veneer; silver; silver-gilt moldings; gilded yellow-metal mounts; the drawers lined with aquamarine-colored silk

Cleared · Public Domain

live
The MetSimilar
Tray by Tiffany & Co., The Metropolitan Museum of Art

Tray

Tiffany & Co. (d. 9999)

1879–80 · Silver, copper, brass, gold-copper alloy, and copper-platinum-iron alloy

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Double plank figure with raised arms

Tellem or Dogon blacksmith

16th–19th century · Wood, applied organic materials

In copyright

live
The MetSimilar

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