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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    473 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    425 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 342 matching records exist across the two collections.

Results for "Relief Fragment, Pyramid Temple of Amene"12 records

Institutions answered newest-first by record, interleaved

Temple relief by an unrecorded maker, The Metropolitan Museum of Art

Temple relief

Unrecorded maker

ca. 2551–2528 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Temple relief by an unrecorded maker, The Metropolitan Museum of Art

Temple relief

Unrecorded maker

ca. 2551–2528 BCE · Limestone, pigment

Cleared · Public Domain

live
The MetSimilar
Relief Fragment with a Ship Under Sail by an unrecorded maker, The Metropolitan Museum of Art

Relief Fragment with a Ship Under Sail

Unrecorded maker

ca. 2465–2458 BCE · Limestone, paint traces

Cleared · Public Domain

live
The MetSimilar
Relief Fragment Showing Waterfowl in a Clapnet by an unrecorded maker, The Metropolitan Museum of Art

Relief Fragment Showing Waterfowl in a Clapnet

Unrecorded maker

ca. 2020–2000 B.C. · Painted limestone

Cleared · Public Domain

live
The MetSimilar
Relief fragment with a cobra on the royal head by an unrecorded maker, The Metropolitan Museum of Art

Relief fragment with a cobra on the royal head

Unrecorded maker

ca. 2020–2000 B.C. · Painted indurated limestone

Cleared · Public Domain

live
The MetSimilar
Relief Fragment with Parts of Heads of Prisoners by an unrecorded maker, The Metropolitan Museum of Art

Relief Fragment with Parts of Heads of Prisoners

Unrecorded maker

ca. 2030–2000 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Fragment of Inscription, Pyramid Temple of Amenemhat I by Unknown Copyist, The Metropolitan Museum of Art

Fragment of Inscription, Pyramid Temple of Amenemhat I

Unknown Copyist

ca. 1981–1952 B.C. · Tempera on paper

Cleared · Public Domain

live
The MetSimilar
Relief Fragment, Pyramid Temple of Amenemhat I by Grace A. Luther, The Metropolitan Museum of Art

Relief Fragment, Pyramid Temple of Amenemhat I

Grace A. Luther

ca. 1981–1952 B.C. · Tempera on paper

Cleared · Public Domain

live
The MetSimilar
Relief from the pyramid temple of Senwosret I, part of a procession of offering bearers - see 09.180.13d by an unrecorded maker, The Metropolitan Museum of Art

Relief from the pyramid temple of Senwosret I, part of a procession of offering bearers - see 09.180.13d

Unrecorded maker

ca. 1961–1917 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief Block from the Pyramid Temple of Amenemhat I

Unrecorded maker

ca. 1981–1952 B.C. · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Head and shoulders of a male god, from a deity procession

Unrecorded maker

ca. 1961–1917 B.C. · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief from the pyramid temple of Senwosret I, with an offering bearer

Unrecorded maker

ca. 1961–1917 B.C. · Limestone, paint

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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