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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    717 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    361 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10,956 matching records exist across the two collections.

Results for "Relief Fragments from a Large Figure of"9 records

Institutions answered newest-first by record, interleaved

Fragment of relief with a figure? by an unrecorded maker, The Metropolitan Museum of Art

Fragment of relief with a figure?

Unrecorded maker

ca. 2649–2100 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Relief fragment from a row of vulture figures by an unrecorded maker, The Metropolitan Museum of Art

Relief fragment from a row of vulture figures

Unrecorded maker

ca. 2051–2030 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Relief fragments from procession of attendants by an unrecorded maker, The Metropolitan Museum of Art

Relief fragments from procession of attendants

Unrecorded maker

ca. 2051–2030 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Relief Fragments from a Large Figure of Mentuhotep II by an unrecorded maker, The Metropolitan Museum of Art

Relief Fragments from a Large Figure of Mentuhotep II

Unrecorded maker

ca. 2051–2000 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Fragment of a large terracotta statue of a man by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a large terracotta statue of a man

Unrecorded maker

6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Relief: figure in a procession by an unrecorded maker, The Metropolitan Museum of Art

Relief: figure in a procession

Unrecorded maker

ca. 405–359 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief fragment from a procession of deities

Unrecorded maker

ca. 1961–1917 B.C. · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief Fragment with Part of the Figure of a Foreigner

Unrecorded maker

ca. 1961–1917 B.C. · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Figure from a lime squeezer

Toba Batak artist

late 19th–early 20th century · Wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.