Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    342 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    513 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "Relief block depicting plucking and roas"12 records

Institutions answered newest-first by record, interleaved

Relief block depicting plucking and roasting fowl and herds crossing water by an unrecorded maker, The Metropolitan Museum of Art

Relief block depicting plucking and roasting fowl and herds crossing water

Unrecorded maker

ca. 1962–1952 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Lintel depicting King Amenemhat I flanked by Nekhbet, Horus, Anubis, and Wadjet by an unrecorded maker, The Metropolitan Museum of Art

Lintel depicting King Amenemhat I flanked by Nekhbet, Horus, Anubis, and Wadjet

Unrecorded maker

ca. 1981–1952 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Lintel depicting Horus offering an <em>ankh</em> sign to the Horus name of King Amenemhat I by an unrecorded maker, The Metropolitan Museum of Art

Lintel depicting Horus offering an <em>ankh</em> sign to the Horus name of King Amenemhat I

Unrecorded maker

ca. 1981–1952 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Block from a Relief Depicting a Battle by an unrecorded maker, The Metropolitan Museum of Art

Block from a Relief Depicting a Battle

Unrecorded maker

ca. 1427–1396 BCE · Sandstone, paint

Cleared · Public Domain

live
The MetSimilar
Relief Depicting the Nurse Tia by an unrecorded maker, The Metropolitan Museum of Art

Relief Depicting the Nurse Tia

Unrecorded maker

ca. 1347–1330 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Relief Fragments Depicting a Court Scene by an unrecorded maker, The Metropolitan Museum of Art

Relief Fragments Depicting a Court Scene

Unrecorded maker

ca. 1347–1330 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Relief Depicting Meryneith Inspecting His Stables and Ships Unloading Merchandise, from his tomb at Saqqara by an unrecorded maker, The Metropolitan Museum of Art

Relief Depicting Meryneith Inspecting His Stables and Ships Unloading Merchandise, from his tomb at Saqqara

Unrecorded maker

ca. 1347–1318 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Cornice Block with Relief Depicting the Purification of the Pharaoh by an unrecorded maker, The Metropolitan Museum of Art

Cornice Block with Relief Depicting the Purification of the Pharaoh

Unrecorded maker

41–68 CE · Sandstone

Cleared · Public Domain

live
The MetSimilar
Minerva Protecting the Young King of Rome by Joseph-Antoine Romagnési, The Metropolitan Museum of Art

Minerva Protecting the Young King of Rome

Joseph-Antoine Romagnési (d. 1852)

1811 · Relief: plaster, painted to resemble yellowish stone; frame: green marbleized wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Block depicting Niankhwadjet from the frame of the false door niche of her husband Mery

Unrecorded maker

ca. 2575–2520 BCE · Limestone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief depicting an offering table and part of an inscription

Unrecorded maker

ca. 2010–2000 B.C. or ca. 2000–1981 B.C. · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Relief depicting the performance of funerary rituals

Unrecorded maker

ca. 2010–2000 B.C. or ca. 2000–1981 B.C. · Limestone, pigment

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.