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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    311 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    350 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 67 matching records exist across the two collections.

Results for "Relief block with the names and titles o"12 records

Institutions answered newest-first by record, interleaved

Scenes from a King's Thirty-Year Jubilee by an unrecorded maker, The Metropolitan Museum of Art

Scenes from a King's Thirty-Year Jubilee

Unrecorded maker

ca. 2575–2551 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Relief fragment with the Son of Re name of Amenemhat I by an unrecorded maker, The Metropolitan Museum of Art

Relief fragment with the Son of Re name of Amenemhat I

Unrecorded maker

ca. 1981–1952 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Relief block with the names and titles of Amenemhat I and Senwosret I by an unrecorded maker, The Metropolitan Museum of Art

Relief block with the names and titles of Amenemhat I and Senwosret I

Unrecorded maker

ca. 1962–1952 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Relief block with the names of Amenemhat I and Senwosret I by an unrecorded maker, The Metropolitan Museum of Art

Relief block with the names of Amenemhat I and Senwosret I

Unrecorded maker

ca. 1962–1952 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Relief block with the names of Amenemhat I and Senwosret I by an unrecorded maker, The Metropolitan Museum of Art

Relief block with the names of Amenemhat I and Senwosret I

Unrecorded maker

ca. 1962–1952 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Plaque Inscribed with Royal Titles by an unrecorded maker, The Metropolitan Museum of Art

Plaque Inscribed with Royal Titles

Unrecorded maker

mid-8th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Relief from the Palace of Apries in Memphis by an unrecorded maker, The Metropolitan Museum of Art

Relief from the Palace of Apries in Memphis

Unrecorded maker

589–570 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Relief of Women in a Boat by an unrecorded maker, The Metropolitan Museum of Art

Relief of Women in a Boat

Unrecorded maker

664–525 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Block Statue of the God's Father Pameniuwedja, son of Nesmin and Nestefnut by an unrecorded maker, The Metropolitan Museum of Art

Block Statue of the God's Father Pameniuwedja, son of Nesmin and Nestefnut

Unrecorded maker

4th century BCE · Diorite

Cleared · Public Domain

live
The MetSimilar
Relief Block with Coat of Arms of Cholula by an unrecorded maker, The Metropolitan Museum of Art

Relief Block with Coat of Arms of Cholula

Unrecorded maker

early 16th century · Stone, traces of stucco

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Block depicting Niankhwadjet from the frame of the false door niche of her husband Mery

Unrecorded maker

ca. 2575–2520 BCE · Limestone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Raised Relief Fragment with Place Names

Unrecorded maker

ca. 1971–1926 B.C. · Limestone

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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