Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    599 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    288 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,328 matching records exist across the two collections.

Results for "Relief fragment of a perfume press"12 records

Institutions answered newest-first by record, interleaved

Relief fragment of a perfume press by an unrecorded maker, The Metropolitan Museum of Art

Relief fragment of a perfume press

Unrecorded maker

ca. 2051–2030 B.C. · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a lydion (perfume jar)? by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a lydion (perfume jar)?

Unrecorded maker

6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta fragment of a plemochoe (vase for perfume)? by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a plemochoe (vase for perfume)?

Unrecorded maker

second half of the 6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Glass perfume bottle by an unrecorded maker, The Metropolitan Museum of Art

Glass perfume bottle

Unrecorded maker

1st century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Fragment of a Relief by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Relief

Unrecorded maker

3rd–7th century · Stucco

Cleared · Public Domain

live
The MetSimilar
Fragment of a Relief by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Relief

Unrecorded maker

7th–8th century · Stucco with color

Cleared · Public Domain

live
The MetSimilar
Fragment of a Relief by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Relief

Unrecorded maker

7th–8th century · Stucco

Cleared · Public Domain

live
The MetSimilar
Fragment of a Relief by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Relief

Unrecorded maker

7th–8th century · Stucco

Cleared · Public Domain

live
The MetSimilar
Fragment of a Relief by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Relief

Unrecorded maker

7th–8th century · Chunan

Cleared · Public Domain

live
The MetSimilar
Fragment of a Relief by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Relief

Unrecorded maker

8th century · Stucco wit color

Cleared · Public Domain

live
The MetSimilar
Fragment of a Relief by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Relief

Unrecorded maker

15th–17th century · Clay

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragment of a Relief

Unrecorded maker

7th–8th century · Stucco with color

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.