Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    259 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    265 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Reliquary, Monstrance"12 records

Institutions answered newest-first by record, interleaved

Plaque with the Trinity and the Dormition of the Virgin by an unrecorded maker, The Metropolitan Museum of Art

Plaque with the Trinity and the Dormition of the Virgin

Unrecorded maker

ca. 1410–20 · Elephant ivory with traces of polychromy

Cleared · Public Domain

live
The MetSimilar
Monstrance with the "Paten of Saint Bernward" by Saint Oswald Reliquary Workshop, The Cleveland Museum of Art

Monstrance with the "Paten of Saint Bernward"

Saint Oswald Reliquary Workshop

c. 1180–1190 · Metalwork, silver, gilded silver, niello, rock crystal

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Reliquary of Mary Magdalene by an unrecorded maker, The Metropolitan Museum of Art

Reliquary of Mary Magdalene

Unrecorded maker

14th and 15th century · Gilded copper, gilded silver, rock crystal, verre églomisé, and a human tooth (genus: Homo; species: Homo sapiens)

Cleared · Public Domain

live
The MetSimilar
Monstrance with a Relic of Saint Sebastian by an unrecorded maker, The Cleveland Museum of Art

Monstrance with a Relic of Saint Sebastian

Unrecorded maker

1484 · Metalwork, gilded silver, rock crystal, bone, parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Reliquary, Monstrance by an unrecorded maker, The Metropolitan Museum of Art

Reliquary, Monstrance

Unrecorded maker

15th century · Gilded silver, gilded coper, and glass

Cleared · Public Domain

live
The MetSimilar
Reliquary monstrance of St. John the Baptist by C. C., The Metropolitan Museum of Art

Reliquary monstrance of St. John the Baptist

C. C.

ca. 1640, with 18th century additions · Silver gilt

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Metalwork applique with a candlestick ornamented with Apollo chasing the Night, from Ostensoirs, reliquaires et appliques, plate 6

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Metalwork applique with a candlestick ornamented with Apollo chasing the Night, from Ostensoirs, reliquaires et appliques, plate 6, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Metalwork applique with a candlestick with the head of an old woman at center, from Ostensoirs, reliquaires et appliques, plate 5, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Monstrance (lamp?) designed to be suspended in a church, from Ostensoirs, reliquaires et appliques, plate 5, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Monstrance within a rich border, from Ostensoirs, reliquaires et appliques, plate 4, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

17th century · Etching; second state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reliquary topped with a bust of a Bishop, from Ostensoirs, reliquaires et appliques, plate 4

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.