Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    370 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Reliquary figure"8 records

Institutions answered newest-first by record, interleaved

Kneeling Prophet from the Reliquary Chasse of Saint-Germain-des-Prés by Jean de Clichy, The Cleveland Museum of Art

Kneeling Prophet from the Reliquary Chasse of Saint-Germain-des-Prés

Jean de Clichy

1409 · Sculpture, gilt bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Standing Disciple Mahakasyapa Holding a Cylindrical Reliquary by an unrecorded maker, The Cleveland Museum of Art

Standing Disciple Mahakasyapa Holding a Cylindrical Reliquary

Unrecorded maker

c. 550 · Sculpture, limestone with traces of pigment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Book-Shaped Reliquary by The Master of the Registrum Gregorii, The Cleveland Museum of Art

Book-Shaped Reliquary

The Master of the Registrum Gregorii (d. 1000)

c. 1000 · Metalwork, ivory, silver: gilded, pearls, rubies, emeralds, crystals, onyx, carnelian, oak

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bust Reliquary of St. Louis, Bishop of Toulouse by an unrecorded maker, The Cleveland Museum of Art

Bust Reliquary of St. Louis, Bishop of Toulouse

Unrecorded maker

late 1300s · Sculpture, wood (walnut) with polychromy, gesso and gilding

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sculptural Element from a Reliquary Ensemble (mbulu ngulu) by an unrecorded maker, The Cleveland Museum of Art

Sculptural Element from a Reliquary Ensemble (mbulu ngulu)

Unrecorded maker

probably 1800s · Sculpture, Wood, copper alloy, and iron

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Pendant with the Virgin and Child by Godefroid de Huy, The Cleveland Museum of Art

Pendant with the Virgin and Child

Godefroid de Huy

c. 1160–1170 · Enamel, gilded copper, champlevé enamel; the reverse decorated in vernis brun

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bacchanalian Scene by an unrecorded maker, The Cleveland Museum of Art

Bacchanalian Scene

Unrecorded maker

1–100 CE · Sculpture, schist

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Foreigners and Non-Buddhists Drink, Dance, and Play Music, from a Buddhist Stupa Site by an unrecorded maker, The Cleveland Museum of Art

Foreigners and Non-Buddhists Drink, Dance, and Play Music, from a Buddhist Stupa Site

Unrecorded maker

c. 100 CE · Sculpture, schist

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.