A painting can be out of copyright and thephotograph of it can still be protected.

Cherub and shell

Sculptor close to Donatello

possibly 1470s · Bronze

Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair)

Vincenzo Grandi (d. 1578)

mid-16th century · Bronze, partially oil-gilt

Altar candlestick with busts in relief of Saints Peter and Paul (one of a pair)

Vincenzo Grandi (d. 1578)

mid-16th century · Bronze, partially oil-gilt

Oil Lamp in the Form of a Sphinx

Andrea Briosco, called Riccio (d. 1532)

mid-16th century · Bronze

Restes d'un Temple qu'on croit etre de Venus et Cupidon prés de Sainte Croix de Jerusalem, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

Restes du Portique du Temple ou de la Basilique d'Antonin aujourd'huy la Doüane de Terre, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

Vüe des restes des Thermes de Diocletien, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

Remains of the Basilica of Gaius and Lucius, plate 14 from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di Londra" (The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London)

Giovanni Battista Piranesi (d. 1778)

1762 · Etching

Remains of the Portico of Gaius and Lucius, plate 15 from "Il Campo Marzio dell' Antica Roma, Opera di G.B. Piranesi socio della reale società degli antiquari di Londra" (The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London)

Giovanni Battista Piranesi (d. 1778)

1762 · Etching

Another view of the pronaos described and drawn in the preceding plate...(Basilica), plate 8 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)

Giovanni Battista Piranesi (d. 1778)

1778 · Etching

Another view of the pronaos facade drawn and described in Plate V...(Basilica), plate 6 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)

Giovanni Battista Piranesi (d. 1778)

1778 · Etching

View of the remains of the Dining Room of the Golden House of Nero, commonly called the Temple of Peace (initially entitled Vedute degli avanzi del Tempio della Pace; actually the Basilica of Maxentius and Constantine), from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; fourth state of six (Hind)