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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    221 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    322 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 513 matching records exist across the two collections.

Results for "Remains of the Entrance of Hadrian’s Vil"12 records

Institutions answered newest-first by record, interleaved

Veduta degli avanzi del Castro Pretorio nella Villa Adriana a Tivoli (View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Veduta degli avanzi del Castro Pretorio nella Villa Adriana a Tivoli (View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli)

Giovanni Battista Piranesi (d. 1778)

1770 · Etching

Cleared · Public Domain

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The MetSimilar
Avanzi del Tempio detto di Apollo nella Villa Adriana vicino a Tivoli (Hadrian's Villa. Remains of the Smaller Palace [Formerly called the Temple of Apollo]) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Avanzi del Tempio detto di Apollo nella Villa Adriana vicino a Tivoli (Hadrian's Villa. Remains of the Smaller Palace [Formerly called the Temple of Apollo])

Giovanni Battista Piranesi (d. 1778)

ca. 1768 · Etching

Cleared · Public Domain

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The MetSimilar
The Octagonal Room in the Small Baths at the Villa of Hadrian (Tivoli) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

The Octagonal Room in the Small Baths at the Villa of Hadrian (Tivoli)

Giovanni Battista Piranesi (d. 1778)

ca. 1777 · Red chalk over black chalk or charcoal with partly ruled construction

Cleared · Public Domain

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The MetSimilar
Remains of the Entrance of Hadrian’s Villa near Tivoli by Luigi Basiletti, The Metropolitan Museum of Art

Remains of the Entrance of Hadrian’s Villa near Tivoli

Luigi Basiletti (d. 1859)

ca. 1820 · Pen and brown wash over graphite

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sacrifice a Cibele dans l'antre du Mont Ida, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vüe des restes du Portique d'Octavie soeur d'Auguste, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Remains of a room belonging to the Praetorian Fort at Hadrian's Villa, Tivoli, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; first state of three (Hind)

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Remains of the so-called Temple of Apollo at Hadrian's Villa, Tivoli, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Remains of the temple of the god Canopus at Hadrian's Villa, Tivoli, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the remains of the perimeter of ancient buildings in one of the piazzas of Hadrian's Villa, called the PIazza d'Oro (Piazza of Gold), from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the remains of the Praetorian Fort (the Poecile), Hadrian's Villa, Tivoli, from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; second state of four (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tomb of Washington

Robertson, Seibert & Shearman (d. 1865)

1858 · Colored lithograph

In copyright

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The MetSimilar

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