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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    194 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    7 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 191 matching records exist across the two collections.

Results for "Remains of the Temple of Castor and Poll"12 records

Institutions answered newest-first by record, interleaved

Entablature from the Temple of Castor and Pollux, Rome, from "Speculum Romanae Magnificentiae" by Master PS, The Metropolitan Museum of Art

Entablature from the Temple of Castor and Pollux, Rome, from "Speculum Romanae Magnificentiae"

Master PS

1537 · Engraving

Cleared · Public Domain

live
The MetSimilar
Remains of the Temple of Castor and Pollux . . . ( Avanzo del Tempio di Castore e Polluce . . .) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Remains of the Temple of Castor and Pollux . . . ( Avanzo del Tempio di Castore e Polluce . . .)

Giovanni Battista Piranesi (d. 1778)

18th century · Etching

Cleared · Public Domain

live
The MetSimilar
Remains of the Temple of Castor and Pollux . . . (Avanzo del Tempio di Castore e Polluce . . .) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Remains of the Temple of Castor and Pollux . . . (Avanzo del Tempio di Castore e Polluce . . .)

Giovanni Battista Piranesi (d. 1778)

18th century · Etching

Cleared · Public Domain

live
The MetSimilar
View of the Campo Vaccino (Roman Forum with the Temple of Castor and Pollux to right), from "Vedute di Roma" (Roman Views), part II by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View of the Campo Vaccino (Roman Forum with the Temple of Castor and Pollux to right), from "Vedute di Roma" (Roman Views), part II

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; first state of four (Hind)

Cleared · Public Domain

live
The MetSimilar
View of the Campo Vaccino, with the Colosseum in the background and the ruins of the Temple of Castor and Pollux at right by François Morel, The Metropolitan Museum of Art

View of the Campo Vaccino, with the Colosseum in the background and the ruins of the Temple of Castor and Pollux at right

François Morel (d. 1830)

1796 · Etching

Cleared · Public Domain

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The MetSimilar
Northwest Facade, Temple of Castor and Pollux, Rome (12. Rome. 1842. Graecostasis. faç. N.O.) by Joseph-Philibert Girault de Prangey, The Metropolitan Museum of Art

Northwest Facade, Temple of Castor and Pollux, Rome (12. Rome. 1842. Graecostasis. faç. N.O.)

Joseph-Philibert Girault de Prangey (d. 1892)

1842 · Daguerreotype

Cleared · Public Domain

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The MetSimilar
Souvenir spoon with Ruins of the Temple Castor and Pollux and arms of Savoy by an unrecorded maker, The Metropolitan Museum of Art

Souvenir spoon with Ruins of the Temple Castor and Pollux and arms of Savoy

Unrecorded maker

late 19th century · Silver-gilt and enamel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Remains of the Temple of Castor and Pollux, tome 1, tavola 33, figure 1 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

1756–57 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Restes du Portique du Temple de Jupiter Stator, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Forum Romanum, or Campo Vaccino, with the Temple of Antoninus and Faustina in the foreground left, the Temple of Castor and Pollux, forground right, and the Colosseum in the distance (Veduta di Campo Vaccino)

Giovanni Battista Piranesi (d. 1778)

ca. 1772 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the site of the ancient Roman Forum (with the Temple of Castor and Pollux in left foreground), from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; fifth state of seven (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Gate to the Temple of Luxor

Antoine-Xavier-Gabriel de Gazeau, comte de La Bouëre (d. 1881)

1836 · Oil on paper, laid down on canvas

In copyright

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The MetSimilar

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