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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    316 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    626 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 209 matching records exist across the two collections.

Results for "Remains of the Temple of Cybele (Avanzi"12 records

Institutions answered newest-first by record, interleaved

Tempio del Sole (Temple of Cybele in the Piazza della Bocca della Verità) by Israel Silvestre, The Metropolitan Museum of Art

Tempio del Sole (Temple of Cybele in the Piazza della Bocca della Verità)

Israel Silvestre (d. 1691)

ca. 1640–91 · Etching

Cleared · Public Domain

live
The MetSimilar
View of the Temple of Cybele in the Piazza of the Bocca della Verità (Veduta del Tempio di Cibele a Piazza della Bocca della Verità) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

View of the Temple of Cybele in the Piazza of the Bocca della Verità (Veduta del Tempio di Cibele a Piazza della Bocca della Verità)

Giovanni Battista Piranesi (d. 1778)

ca. 1758 · etching

Cleared · Public Domain

live
The MetSimilar
Veduta degli avanzi del Castro Pretorio nella Villa Adriana a Tivoli (View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Veduta degli avanzi del Castro Pretorio nella Villa Adriana a Tivoli (View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli)

Giovanni Battista Piranesi (d. 1778)

1770 · Etching

Cleared · Public Domain

live
The MetSimilar
Avanzi del Tempio detto di Apollo nella Villa Adriana vicino a Tivoli (Hadrian's Villa. Remains of the Smaller Palace [Formerly called the Temple of Apollo]) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Avanzi del Tempio detto di Apollo nella Villa Adriana vicino a Tivoli (Hadrian's Villa. Remains of the Smaller Palace [Formerly called the Temple of Apollo])

Giovanni Battista Piranesi (d. 1778)

ca. 1768 · Etching

Cleared · Public Domain

live
The MetSimilar
Remains of the Temple of Castor and Pollux . . . ( Avanzo del Tempio di Castore e Polluce . . .) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Remains of the Temple of Castor and Pollux . . . ( Avanzo del Tempio di Castore e Polluce . . .)

Giovanni Battista Piranesi (d. 1778)

18th century · Etching

Cleared · Public Domain

live
The MetSimilar
Remains of the Temple of Cybele (Avanzi del Tempio di Cibele) by Giovanni Battista Piranesi, The Metropolitan Museum of Art

Remains of the Temple of Cybele (Avanzi del Tempio di Cibele)

Giovanni Battista Piranesi (d. 1778)

18th century · Etching

Cleared · Public Domain

live
The MetSimilar
Temple of Artemis, Sardis (134. Sardes. 1843. T. de Cybèle.) by Joseph-Philibert Girault de Prangey, The Metropolitan Museum of Art

Temple of Artemis, Sardis (134. Sardes. 1843. T. de Cybèle.)

Joseph-Philibert Girault de Prangey (d. 1892)

1843 · Daguerreotype

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Remains of the Temple of Cybele, tome 1, tavola 22, figure 1 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Temple of Venus and Rome (erroneously called the Temple of Sol and Luna) (Veduta degli avanzi di due triclini che appartenevano alla Casa aurea di Nerone . . .)

Giovanni Battista Piranesi (d. 1778)

ca. 1759 · etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Temple of Saturn with the Arch of Septimus Severus in the background (Altra Veduta degli avanzi del Pronao del Tempio della Concordia)

Giovanni Battista Piranesi (d. 1778)

ca. 1774 · etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the remains of the Dining Room of the Golden House of Nero, commonly called the Temple of Peace (initially entitled Vedute degli avanzi del Tempio della Pace; actually the Basilica of Maxentius and Constantine), from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; fourth state of six (Hind)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of the Temple of Cybele in the Piazza of the Bocca della Vertià, from "Vedute di Roma" (Views of Rome), part I

Giovanni Battista Piranesi (d. 1778)

ca. 1750–78 · Etching; third state of five (Hind)

In copyright

live
The MetSimilar

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