Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    399 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    356 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 234 matching records exist across the two collections.

Results for "Remains of the interior façade of the Po"12 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Unrecorded maker

first quarter of the 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Interior scene by an unrecorded maker, The Metropolitan Museum of Art

Interior scene

Unrecorded maker

ca. 1520–25 · Wool, silk (15-16 warps per inch, 6-7 per cm.)

Cleared · Public Domain

live
The MetSimilar
The Martyrdom of the Apostle Thomas by Giovanni Lanfranco, The Metropolitan Museum of Art

The Martyrdom of the Apostle Thomas

Giovanni Lanfranco (d. 1647)

1638–46 · Pen and brown ink, brush and brown wash, spots of red wash at upper right and left

Cleared · Public Domain

live
The MetSimilar
Veue du chasteau de Versailles (View of Versailles, garden facade) by Adam Perelle, The Metropolitan Museum of Art

Veue du chasteau de Versailles (View of Versailles, garden facade)

Adam Perelle (d. 1695)

1680s · Etching

Cleared · Public Domain

live
The MetSimilar
Roman Interior by Jean Honoré Fragonard, The Metropolitan Museum of Art

Roman Interior

Jean Honoré Fragonard (d. 1806)

ca. 1760 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Reconstruction and Re-consecration of the Basilica of Saint Paul Outside the Walls under Pope Pius IX by Giuseppe Bianchi, The Metropolitan Museum of Art

Reconstruction and Re-consecration of the Basilica of Saint Paul Outside the Walls under Pope Pius IX

Giuseppe Bianchi (d. 1877)

1865 · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plan of the remains of the Portico of Octavia...[with elevation of exterior façade, section of foundations and other information], tome 4, tavola 39 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Remains of the interior façade of the Portico of Octavia, tome 4, tavola 40 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Frontispiece: View showing the remains of the interior of the Temple of Neptune..., from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)

Francesco Piranesi (d. 1810)

1778 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior view of the remains of one of the pronaoi of the Temple of Neptune which faces inland..., plate 13 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)

Giovanni Battista Piranesi (d. 1778)

1778 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior of St. Bernard's Church, West 14th Street, New York City

The Graphic Company (d. 1900)

ca. 1875 · Lithograph with tint stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arch of the Cathedral of St. John the Divine

Charles Frederick Mielatz (d. 1919)

1909 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.