The Temple of Dendur
Unrecorded maker
completed by 10 CE · Aeolian sandstone
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
305 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
396 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 209 matching records exist across the two collections.
Results for "Remains of the so-called Temple of Apoll"12 records
Institutions answered newest-first by record, interleaved
A Recontruction of the So-Called Temple of Serapidis
Jan Goeree (d. 1731)
before 1704 · Red chalk, pen and black and brown ink, brush and brown wash, over traces of black chalk
Cleared · Public Domain
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The so-called Temple of Fortuna Virilis (now Church of S. Maria Egizziaca) (Veduta del Tempio della Fortuna Virile)
Giovanni Battista Piranesi (d. 1778)
ca. 1758 · etching
Cleared · Public Domain
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The so-called Temple of Salus, on the road to Albano (Tempio antico volgarmente detto della Salute)
Giovanni Battista Piranesi (d. 1778)
ca. 1763 · etching
Cleared · Public Domain
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View of the so-called Temple of Concord with the Temple of Saturn, on the right the Arch of Septimius Severus
Giovanni Battista Piranesi (d. 1778)
1760–78 · Etching
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Remains of the [so-called] Temple of Ancient Hope, tome 1, tavola 18, figure 1 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi (d. 1778)
1756–57 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The so-called Temple of Bacchus, now the Church of S. Urban (Veduta del Tempio di Bacco)
Giovanni Battista Piranesi (d. 1778)
ca. 1758 · etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The so-called Tempio della Tosse (Temple of the Cough), near Tivoli (Veduta del Tempio, detto della Tosse)
Giovanni Battista Piranesi (d. 1778)
ca. 1763 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Interior view of the (so-called) Tempio della Tosse (Temple of the Cough) (Veduta interna della Tosse . . .)
Giovanni Battista Piranesi (d. 1778)
ca. 1764 · etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The so-called Temple of Janus (Arch of Janus Quadrifrons) A. So-called Arch of the Argentari (or Money-changers . . .) (Tempio detto volgarmente di Giano. A. Arco detto degl'Argentieri . . .)
Giovanni Battista Piranesi (d. 1778)
ca. 1771 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Remains of the so-called Temple of Apollo at Hadrian's Villa, Tivoli, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of four (Hind)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The so-called Temple of Janus (Arch of Janus Quadrifrons); A So-called Arch of Argentari (or Money-changers)..., from "Vedute di Roma" (Views of Rome), part I
Giovanni Battista Piranesi (d. 1778)
ca. 1750–78 · Etching; second state of four (Hind)
In copyright
liveThe MetSimilar
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