
Portrait of a Woman, probably a Member of the Van Beresteyn Family
Rembrandt (Rembrandt van Rijn) (d. 1669)
1632 · Oil on canvas
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
261 ms. The Metropolitan Museum of Art, Collection API (Open Access)
299 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 161 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Portrait of a Woman, probably a Member of the Van Beresteyn Family
Rembrandt (Rembrandt van Rijn) (d. 1669)
1632 · Oil on canvas
Cleared · Public Domain
live
The Lacemaker
Nicolaes Maes (d. 1693)
ca. 1656 · Oil on canvas
Cleared · Public Domain
live
Rembrandt's Mother in a Cloth Headress, Looking Down
Baron Dominique Vivant Denon (d. 1825)
17th century · Etching
Cleared · Public Domain
live
Incense Boxes with a Wrapping Cloth
Kubo Shunman (d. 1820)
1808 · Woodblock print (surimono); ink and color on paper
Cleared · Public Domain
live
Woman Folding Cloth
Katsushika Hokusai (d. 1849)
1760–1849 · Woodblock print (surimono); ink and color on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Holy Family in an Interior
Ferdinand Bol (d. 1680)
1643 · Etching, drypoint and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Royal man's kente (prestige cloth)
Asante-Akan artist
ca. 1910–1940 · Silk, dye
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
D’mba (great mother) headdress
Baga artist
late 19th–first half of 20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bògòlanfini (mineral-dyed cloth)
Gneli Traoré (d. 2002)
1969 · Cotton, dye
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amategram Series – Mother Jungle
Ana Mendieta (d. 1985)
1981 · Black acrylic paint on bark paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
(Rembrandt’s Mother)
Ted Joans (d. 2003)
1990 · Cut and pasted printed papers on postcard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mother and Child
Njideka Akunyili Crosby (d. 9999)
2016 · Acrylic, transfer printing, colored pencil, cut and pasted paper, and printed fabric on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.