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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1204 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 91 matching records exist across the two collections.

Results for "Repetitive Pattern with Fruit Trees Grow"12 records

Institutions answered newest-first by record, interleaved

Band with Vegetal Motif by an unrecorded maker, The Metropolitan Museum of Art

Band with Vegetal Motif

Unrecorded maker

6th–9th century · Wool, linen; plain weave, tapestry weave

Cleared · Public Domain

live
The MetSimilar
Textile Fragment by an unrecorded maker, The Metropolitan Museum of Art

Textile Fragment

Unrecorded maker

15th century · Silk; lampas

Cleared · Public Domain

live
The MetSimilar
Essempio di recammi, page 20 (verso) by Giovanni Antonio Tagliente, The Metropolitan Museum of Art

Essempio di recammi, page 20 (verso)

Giovanni Antonio Tagliente (d. 1528)

1530 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Essempio di recammi, page 21 (recto) by Giovanni Antonio Tagliente, The Metropolitan Museum of Art

Essempio di recammi, page 21 (recto)

Giovanni Antonio Tagliente (d. 1528)

1530 · Woodcut

Cleared · Public Domain

live
The MetSimilar
La Pratique de l'Aiguille, page 24 (recto) by Matthias Mignerak, The Metropolitan Museum of Art

La Pratique de l'Aiguille, page 24 (recto)

Matthias Mignerak

1605 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Pashmina Carpet with Gateway-and-Millefleur Pattern by an unrecorded maker, The Metropolitan Museum of Art

Pashmina Carpet with Gateway-and-Millefleur Pattern

Unrecorded maker

second half 18th century · Cotton (warp and weft), pashmina wool (pile); asymmetrically knotted pile

Cleared · Public Domain

live
The MetSimilar
Wall panel of hand-painted silk with garden urns by an unrecorded maker, The Metropolitan Museum of Art

Wall panel of hand-painted silk with garden urns

Unrecorded maker

late 18th century · Silk taffeta, painted and printed

Cleared · Public Domain

live
The MetSimilar
Water dropper in the shape of a crane by an unrecorded maker, The Metropolitan Museum of Art

Water dropper in the shape of a crane

Unrecorded maker

18th century · Agate

Cleared · Public Domain

live
The MetSimilar
Shawl by Anthony Berrus, The Metropolitan Museum of Art

Shawl

Anthony Berrus

ca. 1855 · wool, silk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Repetitive Pattern with a Soldier Sitting on a Fountain in Front of a Park

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Repetitive Pattern with Fruit Trees Growing in a Crescent-Shape Before a Statue

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Textile Design with a Red-and-Blue Checked Pattern Decorated with Small Rosettes and Stylized Fruit Motifs

Robert Bryer (d. 1980)

ca. 1940–50 · Gouache over graphite

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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