
Glass mosaic fragment
Unrecorded maker
late 1st century BCE–early 1st century CE · Glass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1541 ms. The Metropolitan Museum of Art, Collection API (Open Access)
308 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 239 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Glass mosaic fragment
Unrecorded maker
late 1st century BCE–early 1st century CE · Glass
Cleared · Public Domain
live
Glass mosaic inlay fragment
Unrecorded maker
late 1st century BCE–early 1st century CE · Glass
Cleared · Public Domain
live
Glass mosaic inlay
Unrecorded maker
1st century BCE–1st century CE · Glass
Cleared · Public Domain
live
Child's Tunic with Tapestry-Weave Ornament and Applied Bands
Unrecorded maker
6th–9th century · Linen, wool
Cleared · Public Domain
live
Textile Design with Alternating Vertical Strips of Undulating Honeycomb Pattern with Branch Offsets and Undulating Garlands of Pearls with Alternating Offsetting Wheat Ears and Pairs of Circles
Anonymous, Alsatian, 19th century (d. 1900)
1840 · Gouache
Cleared · Public Domain
live
Textile Design with Trefoil Knots Framed by an Interlacing Honeycomb Pattern with Pearls
Anonymous, Alsatian, 19th century (d. 1900)
1840 · Gouache
Cleared · Public Domain
live
Textile Design with Trefoil Knots Framed by an Interlacing Honeycomb Pattern with Pearls
Anonymous, Alsatian, 19th century (d. 1900)
1840 · Gouache
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel with a Pattern of Decorative Melon Trees Between Gold Arches with Purple Circles
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Repetitive Pattern with Decorative Flowers Formed from Yellow Circles and Blue Petals on an Orange Background
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Repetitive Pattern with Purple Circles Topped with Three-Pronged Gold Motifs
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Textile Design with Roses and Daisies Over a Pattern of Interlacing Undulating Circles
Robert Bryer (d. 1980)
ca. 1940–50 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled object 912680
Unidentified
1960s–1970s · Cotton, pieced and quilted
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.