Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    419 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    333 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 25 matching records exist across the two collections.

Results for "Reproduction in reverse of Goya's Sueño"12 records

Institutions answered newest-first by record, interleaved

Amulet Carved in Intaglio (Incised) by an unrecorded maker, The Metropolitan Museum of Art

Amulet Carved in Intaglio (Incised)

Unrecorded maker

6th–7th century · Hematite, silver mount

Cleared · Public Domain

live
The MetSimilar
Anthropomorphic Bead by an unrecorded maker, The Metropolitan Museum of Art

Anthropomorphic Bead

Unrecorded maker

300 BCE–700 CE · Gold (cast)

Cleared · Public Domain

live
The MetSimilar
Poporo (Lime container) by an unrecorded maker, The Metropolitan Museum of Art

Poporo (Lime container)

Unrecorded maker

300 BCE–700 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Medal
Obverse: Equestrian Portrait of Emperor Constantine (r. 307–337)
Reverse: Allegory of Salvation by an unrecorded maker, The Metropolitan Museum of Art

Medal Obverse: Equestrian Portrait of Emperor Constantine (r. 307–337) Reverse: Allegory of Salvation

Unrecorded maker

ca. 1402–13 (model); 16th century (cast) · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Watch by Jacques Goullons, The Metropolitan Museum of Art

Watch

Jacques Goullons (d. 1671)

ca. 1645–50 · Case and dial: painted enamel on gold with brass hand; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Apollo with lyre by Tiziano Aspetti, The Metropolitan Museum of Art

Apollo with lyre

Tiziano Aspetti (d. 1607)

17th century (?) · Bronze, iron (lyre)

Cleared · Public Domain

live
The MetSimilar
Sebastián Martínez y Pérez (1747–1800) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Sebastián Martínez y Pérez (1747–1800)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1792 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Masquerading asses being whipped; folio 93 (recto) from the Madrid Album "B" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Masquerading asses being whipped; folio 93 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1796–98 · Brush and point of brush, carbon black washes, touches of pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)

Goya (Francisco de Goya y Lucientes) (d. 1828)

1799 · Etching, aquatint

Cleared · Public Domain

live
The MetSimilar
Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1830–50 (?) · Heliogravure with traces of green watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Madama Killegry

Wenceslaus Hollar (d. 1677)

1652 · Etching and engraving; second state of three

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rodin—The Thinker

Edward J. Steichen (d. 1973)

1902 · Gum bichromate print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.