
The Combat between Dares and Entellus (Aeneid, Book V)
Master of the Aeneid (d. 1545)
ca. 1530–35 · Painted enamel on copper, partly gilded
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
395 ms. The Metropolitan Museum of Art, Collection API (Open Access)
352 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 43 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Combat between Dares and Entellus (Aeneid, Book V)
Master of the Aeneid (d. 1545)
ca. 1530–35 · Painted enamel on copper, partly gilded
Cleared · Public Domain
live
Priest Xianzi
Unkoku Tōgan (d. 1618)
second half 16th century–early 17th century · Hanging scroll; ink on silk
Cleared · Public Domain
live
Wooded Mountains at Dusk
Kuncan (d. 1673)
dated 1666 · Hanging scroll; ink and color on paper
Cleared · Public Domain
live
Resting Wanderers
Simon Troger (d. 1768)
ca. 1745 · Historic ivory, fruitwood, glass
Cleared · Public Domain
live
Okabe
Utagawa Hiroshige (d. 1858)
ca. 1842 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
Indian Girl, or The Dawn of Christianity
Erastus Dow Palmer (d. 1904)
1853–56; carved 1855–56 · Marble
Cleared · Public Domain
live
Story of Golden Locks
Seymour Joseph Guy (d. 1910)
ca. 1870 · Oil on canvas
Cleared · Public Domain
live
The Exhausted Ragpicker
Jean-François Raffaëlli (d. 1924)
1880 · Etching, drypoint, aquatint and spit bite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fat Claude and her Girlfriend at Le Monocle
Brassaï (d. 1984)
ca. 1932 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
I Got Up
On Kawara (d. 2014)
1970 · Photomechanical prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Man in Park
Peter Hujar (d. 1987)
1981 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Leopold Bloom
Richard Hamilton (d. 2011)
1983 · Soft ground etching, roulette, engraving and aquatint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.