Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
638 ms. The Metropolitan Museum of Art, Collection API (Open Access)
463 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,112 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Return of Jephthah
Unrecorded maker
third quarter 17th century · Canvas worked with silk and metal thread; tent, Gobelin, satin, split, stem, knotted, straight, Ceylon, couching, and detached buttonhole stitch variations
Cleared · Public Domain
live
The Daughter of Jephthah
Charles Antoine Coypel (d. 1752)
1710–50 · Black chalk and stumping, heightened with white chalk, on blue paper; squared in black chalk
Cleared · Public Domain
live
The Return of Neptune
John Singleton Copley (d. 1815)
ca. 1754 · Oil on canvas
Cleared · Public Domain
live
The Return of Joseph
John Michael Rysbrack (d. 1770)
1720–70 · Pen and brown ink, brush and brown wash, heightened with white
Cleared · Public Domain
live
Pussy's Return
Currier & Ives (d. 1907)
1868–78 · Hand-colored lithograph
Cleared · Public Domain
live
The Return of Persephone
Frederic, Lord Leighton (d. 1896)
ca. 1890–91 · Oil on canvas
Cleared · Public Domain
live
Return of the Redwing
Allen B. Talcott (d. 1908)
ca. 1900 (?) · Oil on wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return of Jacob
Sébastien Bourdon (d. 1671)
ca. 1636–42 · Etching; fourth state (?)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Fisherman's return
Cadwallader Washburn (d. 1965)
ca. 1890 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Return of Ulysses
Salvador Dalí (d. 1989)
1936 · Black ink on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Return
Sarah Berman (d. 1957)
1935–43 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Return to Sender
John Waters (d. 9999)
2003 · Chromogenic print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.