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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1213 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    618 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,092 matching records exist across the two collections.

Results for "Return of the Redwing"12 records

Institutions answered newest-first by record, interleaved

The Return of the Prodigal Son by Lombardy- The Veneto, The Metropolitan Museum of Art

The Return of the Prodigal Son

Lombardy- The Veneto (d. 1569)

mid-16th century · Pen and brown ink, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
The Return of Neptune by John Singleton Copley, The Metropolitan Museum of Art

The Return of Neptune

John Singleton Copley (d. 1815)

ca. 1754 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Return of Joseph by John Michael Rysbrack, The Metropolitan Museum of Art

The Return of Joseph

John Michael Rysbrack (d. 1770)

1720–70 · Pen and brown ink, brush and brown wash, heightened with white

Cleared · Public Domain

live
The MetSimilar
The Return of the Cattle by Hubert Robert, The Metropolitan Museum of Art

The Return of the Cattle

Hubert Robert (d. 1808)

ca. 1773–75 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Return of Persephone by Frederic, Lord Leighton, The Metropolitan Museum of Art

The Return of Persephone

Frederic, Lord Leighton (d. 1896)

ca. 1890–91 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Return of the Redwing by Allen B. Talcott, The Metropolitan Museum of Art

Return of the Redwing

Allen B. Talcott (d. 1908)

ca. 1900 (?) · Oil on wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Return of Jacob

Sébastien Bourdon (d. 1671)

ca. 1636–42 · Etching; fourth state (?)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Return of the Prodigal Son

Simon Francis Ravenet, the elder (d. 1774)

1772 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Return of the Artists

Félix-Hilaire Buhot (d. 1898)

1877 · Etching, aquatint and drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Return

Sarah Berman (d. 1957)

1935–43 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Tri-Colored Redwing, bakery card from the California Bird Pictures series (D39-2), issued by the Gordon Bread Company

Gordon Bread Company

1940s · Commercial color lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Return of the Prodigal

Federico Castellon (d. 1971)

ca. 1948 · Etching and aquatint

In copyright

live
The MetSimilar

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2. Read the arithmetic

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