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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    222 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    278 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 457 matching records exist across the two collections.

Results for "Returning to the Trenches"12 records

Institutions answered newest-first by record, interleaved

Lovers Returning to a Palace by an unrecorded maker, The Metropolitan Museum of Art

Lovers Returning to a Palace

Unrecorded maker

late 18th century · Ink and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Returning to the Trenches by Christopher Nevinson, The Cleveland Museum of Art

Returning to the Trenches

Christopher Nevinson (d. 1946)

1916 · Print, drypoint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Returning from the Review (Loyal Ducking) by Thomas Rowlandson, The Metropolitan Museum of Art

Returning from the Review (Loyal Ducking)

Thomas Rowlandson (d. 1827)

June 1800 (?) · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Returning to the Port by Eugène Isabey, The Metropolitan Museum of Art

Returning to the Port

Eugène Isabey (d. 1886)

1833 · Lithograph in black; first state of two

Cleared · Public Domain

live
The MetSimilar
Diana and three nymphs from "Diana Returning from the Chase" by Anonymous, The Metropolitan Museum of Art

Diana and three nymphs from "Diana Returning from the Chase"

Anonymous

ca. 1750–1850 · Engraving

Cleared · Public Domain

live
The MetSimilar
Life in Camp, Part 2: In the Trenches by Winslow Homer, The Metropolitan Museum of Art

Life in Camp, Part 2: In the Trenches

Winslow Homer (d. 1910)

1864 · Color lithograph

Cleared · Public Domain

live
The MetSimilar
Rebel Artillery Soldiers, Killed in the Trenches of Fort Mahone, Called by the Soldiers "Fort Damnation," at the Storming of Petersburgh, Virginia by Thomas C. Roche, The Metropolitan Museum of Art

Rebel Artillery Soldiers, Killed in the Trenches of Fort Mahone, Called by the Soldiers "Fort Damnation," at the Storming of Petersburgh, Virginia

Thomas C. Roche (d. 1895)

April 2, 1865 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Returning to Weigh, Jerome Park, New York

William C. Robertson (d. 1870)

1869 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"To Emigrants Returning New York to Dublin"

Benjamin Roth (d. 1900)

1880 · Watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Column on the March

Christopher Richard Wynne Nevinson (d. 1946)

1916 · Drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Returning to the Trenches

Christopher Richard Wynne Nevinson (d. 1946)

1916 · Drypoint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Diego Rivera's Fresco "In the Trenches," Ministry of Education, Mexico City]

Tina Modotti (d. 1942)

1924–28 · Gelatin silver print with applied color

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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