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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    486 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    293 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 52 matching records exist across the two collections.

Results for "Revelation of St. John: St. Michael figh"7 records

Institutions answered newest-first by record, interleaved

St. John the Baptist by Benedetto Buglioni, The Metropolitan Museum of Art

St. John the Baptist

Benedetto Buglioni (d. 1521)

16th century · Glazed terracotta

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

St John on Patmos, from The Revelation of St John, bound in "Thesaurus Sacrarum historiarum Veteris et Novi Testamenti"

Adriaen Collaert (d. 1618)

1585 · Engraving; second state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Whore of Babylon, from The Revelation of St John, bound in "Thesaurus Sacrarum historiarum Veteris et Novi Testamenti"

Adriaen Collaert (d. 1618)

1585 · Engraving; second state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title-page with apocalypse imagery

Wenceslaus Hollar (d. 1677)

1644 · Etching; only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Eglise Saint Michel, Pont l'Evêque

John Taylor Arms (d. 1953)

1927 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Puy

John Taylor Arms (d. 1953)

1928 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bell rubbing with eagle of Saint John, from "Festglocke," Church of St. Michael, Jena, Germany

Unrecorded maker

19th–20th century [bell dated 1450] · Charcoal

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.