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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    394 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    337 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "Reverse Copy of Dancing Couple, from "Th"12 records

Institutions answered newest-first by record, interleaved

Reverse Copy of Dancing Couple, from "The Small Wedding Dancers" by Anonymous, German, 16th century, The Metropolitan Museum of Art

Reverse Copy of Dancing Couple, from "The Small Wedding Dancers"

Anonymous, German, 16th century (d. 1600)

1552 · Engraving

Cleared · Public Domain

live
The MetSimilar
Copy of July and August from The Peasants' Feast or the Twelve Months by Sebald Beham, The Metropolitan Museum of Art

Copy of July and August from The Peasants' Feast or the Twelve Months

Sebald Beham (d. 1550)

after 1547 · Engraving; copy after first state of three (Pauli)

Cleared · Public Domain

live
The MetSimilar
Scene with Galants at a Banquet in a Circle at Center by Theodor de Bry, The Metropolitan Museum of Art

Scene with Galants at a Banquet in a Circle at Center

Theodor de Bry (d. 1598)

1580–1600 · Engraving and blackwork

Cleared · Public Domain

live
The MetSimilar
Nuove inventioni di balli by Cesare di Negri, The Metropolitan Museum of Art

Nuove inventioni di balli

Cesare di Negri (d. 1700)

1604 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy of January and February from The Peasants' Feast or the Twelve Months

Sebald Beham (d. 1550)

after 1546 · Engraving; copy after first state of two (Pauli)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy of March and April from The Peasants' Feast or the Twelve Months

Sebald Beham (d. 1550)

after 1547 · Engraving; copy after first state of three (Pauli)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy of May and June from The Peasants' Feast and the Twelve Months

Sebald Beham (d. 1550)

after 1547 · Engraving; copy after first state of three (Pauli)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy of September and October from "The Peasants' Feast" or "The Twelve Months"

Sebald Beham (d. 1550)

after 1547 · Engraving; copy after first state of two (Pauli)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cupid and Death (from John Ogilby, "The Fables of Aesop," 1673)

Wenceslaus Hollar (d. 1677)

1673 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of shepherds dancing, with a shepherd playing the flute at right at putti at left, from Frises, plate 2

Jean Le Pautre (d. 1682)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Foxtrot

Alexander Rodchenko (d. 1956)

1935 · Gelatin silver print with applied color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Of Human Bondage, Chapter 49

John Sloan (d. 1951)

1937 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.