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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    258 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    592 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Reverse Copy of L'Homme vu de Dos, La Ma"9 records

Institutions answered newest-first by record, interleaved

L'Homme Vu de Dos, La Main Droite Tendue (Man Viewed from Behind, Right Hand Extended), from "Les Caprices" Series B, The Nancy Set by Jacques Callot, The Metropolitan Museum of Art

L'Homme Vu de Dos, La Main Droite Tendue (Man Viewed from Behind, Right Hand Extended), from "Les Caprices" Series B, The Nancy Set

Jacques Callot (d. 1635)

1617–20 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
L'Homme Vu de Dos, La Main Droite Tendue (Man Viewed from Behind, Right Hand Extended), from Les Caprices Series B, The Nancy Set by Jacques Callot, The Metropolitan Museum of Art

L'Homme Vu de Dos, La Main Droite Tendue (Man Viewed from Behind, Right Hand Extended), from Les Caprices Series B, The Nancy Set

Jacques Callot (d. 1635)

1617–20 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Copy of L'Homme Vu de Dos, Avec un Grand Épée (Man Viewed from Behind, With a Large Sword), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Copy of L'Homme Vu de Dos, Avec un Grand Épée (Man Viewed from Behind, With a Large Sword), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of L'Homme vu de Dos, La Main Droit Tendue (Man Viewed from Behind, His Right Hand Extended), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of L'Homme vu de Dos, La Main Droit Tendue (Man Viewed from Behind, His Right Hand Extended), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Gentilhomme au Grand Manteau, Vu de Face (Gentleman with a Large Mantle, Seen from the Front), from Les Caprices Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Gentilhomme au Grand Manteau, Vu de Face (Gentleman with a Large Mantle, Seen from the Front), from Les Caprices Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Gentilhomme au Grand Manteau, Vu de Dos (Gentleman with a Large Mantle, Viewed from Behind), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Gentilhomme au Grand Manteau, Vu de Dos (Gentleman with a Large Mantle, Viewed from Behind), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Gentilhomme au Manteau Bordé de Fourrures Tentant ses Mains Derrière le Dos (The Gentleman with a Fur Lined Coat Holding his Hands Behind his Back), from La Noblesse (The Nobility) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Gentilhomme au Manteau Bordé de Fourrures Tentant ses Mains Derrière le Dos (The Gentleman with a Fur Lined Coat Holding his Hands Behind his Back), from La Noblesse (The Nobility)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Mendiant aux Béquilles Coiffée d'un Chapeau et Vu de Dos (The Beggar with Crutches Wearing a Hat and Viewed from Behind), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Mendiant aux Béquilles Coiffée d'un Chapeau et Vu de Dos (The Beggar with Crutches Wearing a Hat and Viewed from Behind), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Mendiant aux Béquilles Coiffée d'un Chapeau et Vu de Dos (The Beggar with Crutches Wearing a Hat and Viewed from Behind), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Mendiant aux Béquilles Coiffée d'un Chapeau et Vu de Dos (The Beggar with Crutches Wearing a Hat and Viewed from Behind), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar

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