Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    391 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    361 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 13 matching records exist across the two collections.

Results for "Reverse Copy of La Cène (The Last Supper"12 records

Institutions answered newest-first by record, interleaved

La Cène (The Last Supper), from "La Petite Passion" (The Little Passion) by Jacques Callot, The Metropolitan Museum of Art

La Cène (The Last Supper), from "La Petite Passion" (The Little Passion)

Jacques Callot (d. 1635)

1624–25 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
La Cêne (The Last Supper), from "La Petite Passion" (The Little Passion) by Jacques Callot, The Metropolitan Museum of Art

La Cêne (The Last Supper), from "La Petite Passion" (The Little Passion)

Jacques Callot (d. 1635)

1624–25 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion) by Jacques Callot, The Metropolitan Museum of Art

La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion)

Jacques Callot (d. 1635)

ca. 1619–24 · Etching and engraving; second state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar
La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion) by Jacques Callot, The Metropolitan Museum of Art

La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion)

Jacques Callot (d. 1635)

ca. 1619–24 · Etching and engraving; first state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar
La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion) by Jacques Callot, The Metropolitan Museum of Art

La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion)

Jacques Callot (d. 1635)

ca. 1619–24 · Etching and engraving; first state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar
La Cêne (The Last Supper), from "Les Quatre Banquets" (The Four Feasts) by Jacques Callot, The Metropolitan Museum of Art

La Cêne (The Last Supper), from "Les Quatre Banquets" (The Four Feasts)

Jacques Callot (d. 1635)

ca. 1625 · Etching and engraving; first state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar
La Sainte-Cène (The Last Supper), Maundy Thursday, scene 2 from Images des Fêtes Mobiles (Images of Moveable Feasts from the Christian Calendar), part of "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year) by Jacques Callot, The Metropolitan Museum of Art

La Sainte-Cène (The Last Supper), Maundy Thursday, scene 2 from Images des Fêtes Mobiles (Images of Moveable Feasts from the Christian Calendar), part of "Les Images De Tous Les Saincts et Saintes de L'Année" (Images of All of the Saints and Religious Events of the Year)

Jacques Callot (d. 1635)

ca. 1632 · Etching; fourth state of five (Lieure)

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Cène (The Last Supper), from La Petite Passion (The Little Passion) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Cène (The Last Supper), from La Petite Passion (The Little Passion)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Plaque (tableau) by Sèvres Manufactory, The Metropolitan Museum of Art

Plaque (tableau)

Sèvres Manufactory (d. 9999)

1761 · Soft-paste porcelain decorated in polychrome enamels

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Cêne (The Last Supper), from "La Petite Passion" (The Little Passion)

Jacques Callot (d. 1635)

1624–25 · Etching; first state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion)

Jacques Callot (d. 1635)

ca. 1619–24 · Etching and engraving; first state of three (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Cène (The Last Supper), from "Les Quatre Banquets" (The Four Feasts)

Jacques Callot (d. 1635)

ca. 1619–24 · Etching and engraving; first state of three (Lieure)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.