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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    486 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 80 matching records exist across the two collections.

Results for "Reverse Copy of La Factoria (The Factory"12 records

Institutions answered newest-first by record, interleaved

La Factoria (The Factory), from "Les Caprices" Series B, The Nancy Set by Jacques Callot, The Metropolitan Museum of Art

La Factoria (The Factory), from "Les Caprices" Series B, The Nancy Set

Jacques Callot (d. 1635)

1617–20 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
La Factoria (The Factory), from "Les Caprices" Series B, The Nancy Set by Jacques Callot, The Metropolitan Museum of Art

La Factoria (The Factory), from "Les Caprices" Series B, The Nancy Set

Jacques Callot (d. 1635)

1617–20 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Caverne de Brigands (The Cave of Thieves), from "Les Caprices" by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Caverne de Brigands (The Cave of Thieves), from "Les Caprices"

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Cène (The Last Supper), from La Petite Passion (The Little Passion) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Cène (The Last Supper), from La Petite Passion (The Little Passion)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Factoria (The Factory), from "Les Caprices" by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Factoria (The Factory), from "Les Caprices"

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Factoria (The Factory), from Les Caprices by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Factoria (The Factory), from Les Caprices

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Présentation au Peuple (The Presentation to the People), from La Petite Passion (The Little Passion) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Présentation au Peuple (The Presentation to the People), from La Petite Passion (The Little Passion)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Promenade (The Walk), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Promenade (The Walk), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Crucifiement (The Crucifixion), from La Petite Passion (The Little Passion) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Crucifiement (The Crucifixion), from La Petite Passion (The Little Passion)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse copy of the birth of Constantine, from Grandes alcôves à la romaine, plate 4

Melchior Küsel (d. 1683)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Copy or Unknown State of La Factoria (The Factory), from Les Caprices Series B, The Nancy Set

Jacques Callot (d. 1635)

17th century · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Reverse Copy of La Promenade (The Walk), from Les Caprices

Anonymous

17th century · Etching

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.