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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    343 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    361 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "Reverse Copy of La Gentilhomme au Grand"12 records

Institutions answered newest-first by record, interleaved

Copy of Le Gentilhomme au Grand Manteau, Vu de Face (Gentleman with a Large Mantle, Viewed from the Front), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Copy of Le Gentilhomme au Grand Manteau, Vu de Face (Gentleman with a Large Mantle, Viewed from the Front), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Copy of Le Gentilhomme au Plastron de Fourrure (The Gentleman with a Shirt Front of Fur), from "La Noblesse" (The Nobility) by Anonymous, The Metropolitan Museum of Art

Copy of Le Gentilhomme au Plastron de Fourrure (The Gentleman with a Shirt Front of Fur), from "La Noblesse" (The Nobility)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Jésus au Jardin des Oliviers (Jesus in the Garden of Olives), from La Petite Passion (The Little Passion) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Jésus au Jardin des Oliviers (Jesus in the Garden of Olives), from La Petite Passion (The Little Passion)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Dame au Vêtement Ample (The Woman with the Ample Clothing), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Dame au Vêtement Ample (The Woman with the Ample Clothing), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Gentilhomme au Grand Manteau, Vu de Face (Gentleman with a Large Mantle, Seen from the Front), from Les Caprices Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Gentilhomme au Grand Manteau, Vu de Face (Gentleman with a Large Mantle, Seen from the Front), from Les Caprices Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Présentation au Peuple (The Presentation to the People), from La Petite Passion (The Little Passion) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Présentation au Peuple (The Presentation to the People), from La Petite Passion (The Little Passion)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Gentilhomme au Grand Manteau, Vu de Dos (Gentleman with a Large Mantle, Viewed from Behind), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Gentilhomme au Grand Manteau, Vu de Dos (Gentleman with a Large Mantle, Viewed from Behind), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Gentilhomme au Manteau Bordé de Fourrures Tentant ses Mains Derrière le Dos (The Gentleman with a Fur Lined Coat Holding his Hands Behind his Back), from La Noblesse (The Nobility) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Gentilhomme au Manteau Bordé de Fourrures Tentant ses Mains Derrière le Dos (The Gentleman with a Fur Lined Coat Holding his Hands Behind his Back), from La Noblesse (The Nobility)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Gentilhomme au Manteau Posé sur la Hanche (Gentleman with his Mantle on his Hip), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Gentilhomme au Manteau Posé sur la Hanche (Gentleman with his Mantle on his Hip), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Gentilhomme aux Mains Jointes (The Gentleman with his Hands Joined), from La Noblesse (The Nobility) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Gentilhomme aux Mains Jointes (The Gentleman with his Hands Joined), from La Noblesse (The Nobility)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Gentilhomme de Face, La Main Droite sur la Hanche (Gentleman Facing Forward, His Right Hand on his Hip), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Gentilhomme de Face, La Main Droite sur la Hanche (Gentleman Facing Forward, His Right Hand on his Hip), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Gentilhomme Enroulé dans son Manteau Bordé de Fourrures (The Gentleman Wrapped in his Fur Lined Mantle), from La Noblesse (The Nobility) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Gentilhomme Enroulé dans son Manteau Bordé de Fourrures (The Gentleman Wrapped in his Fur Lined Mantle), from La Noblesse (The Nobility)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar

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