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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    376 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    364 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "Reverse Copy of La Mendainte au Rosaire"12 records

Institutions answered newest-first by record, interleaved

Reverse Copy of Jésus au Jardin des Oliviers (Jesus in the Garden of Olives), from La Petite Passion (The Little Passion) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Jésus au Jardin des Oliviers (Jesus in the Garden of Olives), from La Petite Passion (The Little Passion)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Dame au Vêtement Ample (The Woman with the Ample Clothing), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Dame au Vêtement Ample (The Woman with the Ample Clothing), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Gentilhomme au Grand Manteau, Vu de Face (Gentleman with a Large Mantle, Seen from the Front), from Les Caprices Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Gentilhomme au Grand Manteau, Vu de Face (Gentleman with a Large Mantle, Seen from the Front), from Les Caprices Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Mendainte au Rosaire (The Female Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Mendainte au Rosaire (The Female Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Mendainte aux Béquilles (The Female Beggar with Crutches), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Mendainte aux Béquilles (The Female Beggar with Crutches), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of La Présentation au Peuple (The Presentation to the People), from La Petite Passion (The Little Passion) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of La Présentation au Peuple (The Presentation to the People), from La Petite Passion (The Little Passion)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Gentilhomme au Manteau Posé sur la Hanche (Gentleman with his Mantle on his Hip), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Gentilhomme au Manteau Posé sur la Hanche (Gentleman with his Mantle on his Hip), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Mendiant au Rosaire (The Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Mendiant au Rosaire (The Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Mendiant au Rosaire (The Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Mendiant au Rosaire (The Beggar with a Rosary), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Mendainte au Rosaire (The Beggar with a Rosary), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)

Jacques Callot (d. 1635)

ca. 1623 · Etching; first state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Mendainte au Rosaire (The Beggar with a Rosary), plate 11 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)

Jacques Callot (d. 1635)

ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

La Mendainte au Rosaire (The Beggar with a Rosary), plate 7 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)

Jacques Callot (d. 1635)

ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre

In copyright

live
The MetSimilar

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